Most-cited passages

The most-cited passages, spine tier first, ranked by how often the archive points at them.

300 total.

Spine passages

• freebasing through labor: compulsion at the floor — pp. 375-376 · cited 5×
• freebasing through labor: compulsion at the floor — "the Eightball was consumed and then…" — pp. 375-376 · cited 5×
• Found Drama's inception (Film and Optics) — pp. 375-376 · cited 5×
• the shoulder-pull commandment: rising toward what you'd pull down — pp. 127-128 · cited 4×
• the shoulder-pull commandment: rising toward what you'd pull down — "Up they go, their own bodies…" — pp. 127-128 · cited 4×
• the silence finally broken, and the question turned around · S1 — pp. 0782-0785 · cited 4×
• the silence finally broken, and the question turned around — "Not so much the Hope. The…" · S1 — pp. 0782-0785 · cited 4×
• the silence finally broken, and the question turned around — "Jesus it's like talking to a…" · S1 — pp. 0782-0785 · cited 4×
• reunion conducted entirely in borrowed words · S3 — pp. 0032-0033 · cited 4×
• reunion conducted entirely in borrowed words — "I don't mind,' Hal said softly…" · S3 — pp. 0032-0033 · cited 4×
• reunion conducted entirely in borrowed words — "That's what you think,' the voice…" · S3 — pp. 0032-0033 · cited 4×
• an hour of talk with every reply erased · S4 — pp. 0176-0181 · cited 4×
• an hour of talk with every reply erased — "I said where'm I suppose to…" · S4 — pp. 0176-0181 · cited 4×
• an hour of talk with every reply erased — "First just let me say one…" · S4 — pp. 0176-0181 · cited 4×
• face to face, and nothing crosses; the vow to try anyway · S5 — pp. 366-367 · cited 4×
• Orin's Phoenix morning (p. 42) — p. 42 · cited 4×
• Joelle's last walk (ii) — pp. 222-223 · cited 4×
• Joelle's walk and U.H.I.D. (pp. 226–227) — pp. 226-227 · cited 4×
• Hal's teeth-to-shale dream; the unhelmed WYYY — pp. 449-450 · cited 4×
• Joelle's teeth-dentist dream of Gately — pp. 723-724 · cited 4×
• The Fackelmann scam and the wraith's return (p. 934) — p. 934 · cited 4×
• Hal eats the mold (pp. 10–11) — pp. 10-11 · cited 4×
• the simultaneity montage — "Avril Incandenza’s whereabouts on the grounds…" — pp. 654-655 · cited 4×
• Joelle on the family’s secrets — pp. 751-752 · cited 4×
• Hal, Mario, and the Moms’s sadness — pp. 41-42 · cited 4×
• Hal, Mario, and the Moms’s sadness — "She laughs at C.T. way more…" — pp. 42-42 · cited 4×
• Mario's filmic function — "Eighteen in May, Mario Incandenza’s designated…" — p. 54 · cited 4×
• Hal's tennis-court dream (pp. 67–68) — pp. 67-68 · cited 4×
• The locker-room quiz (Memory and Forgetting) — p. 97 · cited 4×
• the two-track mission: two ways to the Entertainment — the plot's mission statement — p. 719 · cited 4×
• the two-track mission: two ways to the Entertainment — the plot's mission statement — "the directer route—to locate and secure…" — p. 719 · cited 4×
• the two-track mission: two ways to the Entertainment — the plot's mission statement — "to—comme on dit—be turning all the…" — p. 719 · cited 4×
• the separatist tally: the graded alphabet of resistance — p. 144 · cited 4×
• the storm over the Concavity: the L'Islet farm forever lost to the Concavity — p. 958 · cited 4×
• the storm over the Concavity: the L'Islet farm forever lost to the Concavity — "the original L’Islet potato farm now…" — p. 958 · cited 4×
• the separatist tally: the graded alphabet of resistance — "(Q=Québecois, E=Environmental, S=Separatist, V=Violent, VV=Extremely Violent)…" — p. 144 · cited 4×
• the separatist tally: the graded alphabet of resistance — "Les Assassins des Fauteuils Rollents (Q…" — p. 144 · cited 4×
• the Subsidized Time chronology: the calendar as ad inventory — p. 223 · cited 4×
• the Subsidized Time chronology: the calendar as ad inventory — "(1) Year of the Whopper (2)…" — p. 223 · cited 4×
• the Liberty statue's product: Subsidized Time made monumental — p. 367 · cited 4×
• the feral-hamster footnote: the gift as territorial fact — pp. 92-93 · cited 4×
• the feral-hamster footnote: the gift as territorial fact — "All these territories are now property…" — pp. 92-93 · cited 4×
• Marathe & Steeply / betrayal — p. 375 · cited 4×
• the sedan inside the gates — pp. 654-655 · cited 4×
• Steeply & Poutrincourt at the match (pp. 673–682) — pp. 673-682 · cited 4×
• Lenz stalks the Chinese women (pp. 717–719) — pp. 717-719 · cited 4×
• Steeply accosts Joelle (Surveillance and Disguise) — p. 934 · cited 4×
• Joelle returns / the Sheriff's car — "She wasn’t dumb—she figured it was…" — p. 958 · cited 4×
• Gately watches the punter: blubbering at the loss of organized ball — p. 916 · cited 4×
• The desert dusk interstitial — p. 97 · cited 4×
• the third-party procurement architecture — pp. 17-18 · cited 3×
• the iron will that walked away: self-control is no defense — p. 507 · cited 3×
• the iron will that walked away: self-control is no defense — "An American adult of exemplary self-control…" — p. 507 · cited 3×
• the Higher-Power impasse: not nothing but Nothing — pp. 442-443 · cited 3×
• the least promising vessel and the gift freely given — p. 137 · cited 3×
• the least promising vessel and the gift freely given — "determined to pass on to other…" — p. 137 · cited 3×
• the Higher-Power impasse: not nothing but Nothing — "he feels Nothing—not nothing but Nothing…" — pp. 442-443 · cited 3×
• the honest catalogue of what withdrawal feels like — p. 138 · cited 3×
• the Higher-Power impasse: not nothing but Nothing — "this like image in his mind’s…" — pp. 442-443 · cited 3×
• swallowing the truth: no Cause or Excuse — pp. 378-379 · cited 3×
• Roy Tony: we done surrendered our wills — pp. 506-507 · cited 3×
• Roy Tony: we done surrendered our wills — "I done had to give four…" — pp. 506-507 · cited 3×
• the peanut-butter sandwich became his Higher Power — pp. 710-711 · cited 3×
• the surveillance that grows its own evasion economy — p. 151 · cited 3×
• the confession, flat and complete — p. 782 · cited 3×
• mute and powerless, and surrendering — pp. 826-827 · cited 3×
• the first intentional lines, dated and placed — p. 747 · cited 3×
• the first intentional lines, dated and placed — "So Joelle was awake at 0400…" — p. 747 · cited 3×
• mute and powerless, and surrendering — "the reality right this second is…" — pp. 826-827 · cited 3×
• the full-time job with no Christmas — pp. 128-129 · cited 3×
• Erdedy waits for the pot delivery — pp. 17-18 · cited 3×
• Young Jim, his father, and the mattress (pp. 502–503) — pp. 502-503 · cited 3×
• Joelle's interview about the Master (pp. 938–939) — pp. 938-939 · cited 3×
• J.O.I.'s bio and E.T.A.'s founding (pp. 63–64) — pp. 63-64 · cited 3×
• The Enfield Marine units — p. 193 · cited 3×
• not a conversation, and the truest understanding in the book · S5 — pp. 649-651 · cited 3×
• presence without conversation, the string over hell · S5 — pp. 650-651 · cited 3×
• the one hand that takes the request literally · S5 — pp. 0970-0971 · cited 3×
• the one hand that takes the request literally — "Mario had extended his clawlike hand…" · S5 — pp. 0970-0971 · cited 3×
• the call ends by aiming the channel away · S1 — pp. 0257-0258 · cited 3×
• the call ends by aiming the channel away — "Hal said, holding the phone down…" · S1 — pp. 0257-0258 · cited 3×
• having to touch your own face to read it · S1 — pp. 342-343 · cited 3×
• the brother he can no longer feel · S1 — pp. 589-590 · cited 3×
• the mother who can't hear the question about her son · S1 — pp. 0763-0769 · cited 3×
• the mother who can't hear the question about her son — "I don't follow you. How can…" · S1 — pp. 0763-0769 · cited 3×
• the mother who can't hear the question about her son — "Sometimes I get afraid when you…" · S1 — pp. 0763-0769 · cited 3×
• the voice heard as weeping, the face read as mirth · S1 — pp. 0865-0876 · cited 3×
• the voice heard as weeping, the face read as mirth — "My voice had been neutral and…" · S1 — pp. 0865-0876 · cited 3×
• the voice heard as weeping, the face read as mirth — "Your face is a hilarity-face. It's…" · S1 — pp. 0865-0876 · cited 3×
• grief broadcast in a register no one receives · S1 — pp. 0910-0911 · cited 3×
• the theme in one sentence · S1 — pp. 0009-0010 · cited 3×
• grief broadcast in a register no one receives — "Then this too began to seem…" · S1 — pp. 0910-0911 · cited 3×
• looked at, not into; shouted at, not acknowledged · S1 — pp. 0971-0971 · cited 3×
• the conversation happens over him, his input unrequired · S1 — pp. 0972-0973 · cited 3×
• the conversation happens over him, his input unrequired — "The M.D. was not addressing Don…" · S1 — pp. 0972-0973 · cited 3×
• killed for words he cannot make; freed into every tongue · S2 — pp. 487-489 · cited 3×
• killed for words he cannot make; freed into every tongue — "soaring north, sounding a bell-clear and…" · S2 — pp. 487-489 · cited 3×
• the man everyone talks at, who cannot ask · S2 — pp. 0825-0827 · cited 3×
• the man everyone talks at, who cannot ask — "he's mute and powerless over Thrust…" · S2 — pp. 0825-0827 · cited 3×
• entombed between two signals · S3 — pp. 0026-0027 · cited 3×
• the plea, answered by silence · S1 — pp. 0031-0032 · cited 3×
• entombed between two signals — "he stood splay-legged, arms wildly out…" · S3 — pp. 0026-0027 · cited 3×
• the plea, answered by silence — "Praying for just one conversation, amateur…" · S1 — pp. 0031-0032 · cited 3×
• at the party and not really there · S4 — pp. 0219-0219 · cited 3×
• at the party and not really there — "the expanding white V of utter…" · S4 — pp. 0219-0219 · cited 3×
• the seduction sealed inside a mirror · S4 — pp. 566-567 · cited 3×
• the seduction sealed inside a mirror — "that there is now inside her…" · S4 — pp. 566-567 · cited 3×
• the seduction sealed inside a mirror — "the obliterating trinity of You and…" · S4 — pp. 566-567 · cited 3×
• the one channel that opens is the boy everyone overlooks · S5 — pp. 0079-0080 · cited 3×
• the one channel that opens is the boy everyone overlooks — "If nobody's really in there, there's…" · S5 — pp. 0079-0080 · cited 3×
• reception so total the room forgets to blink · S5 — pp. 378-379 · cited 3×
• Kate and Day and the billowing shape (p. 651) — p. 651 · cited 3×
• Anhedonia and It (pp. 692–693) — pp. 692-693 · cited 3×
• Anhedonia and It (p. 698) — p. 698 · cited 3×
• Hal's blizzard anhedonia (p. 851) — p. 851 · cited 3×
• Hal horizontal in V.R.5 (pp. 896–897) — pp. 896-897 · cited 3×
• Hal horizontal in V.R.5 (pp. 901–902) — pp. 901-902 · cited 3×
• Mario's birth and body — pp. 312-313 · cited 3×
• Mario's birth and body — "People who’re somehow burned at birth…" — p. 317 · cited 3×
• Mario's birth and body (pp. 317–318) — pp. 317-318 · cited 3×
• The dead-infant speaker at White Flag — "and how the infant emerged all…" — p. ~376 · cited 3×
• The dead-infant speaker at White Flag (pp. 376–377) — pp. ~376-377 · cited 3×
• Gately and Joelle talk veil and U.H.I.D. (p. 538) — p. 538 · cited 3×
• Mario's night walk past Ennet House (p. 589) — p. 589 · cited 3×
• The A.F.R. search the Antitoi shop — "The nation U.S.A. treated wheelchaired persons…" — p. 723 · cited 3×
• Molly Notkin spills everything — "That, right on the hysterical cusp…" — p. 795 · cited 3×
• Joelle's Q-interview about the Master (p. 941) — p. 941 · cited 3×
• Locker room and the Loach saga (p. 971) — p. 971 · cited 3×
• Gately's Higher-Power confession and Bob Death — p. 449 · cited 3×
• Hal and Mario on liars in the dark — pp. 769-770 · cited 3×
• The Face In The Floor nightmare — p. 61 · cited 3×
• Gately dreams Mrs. Waite and Death — pp. 846-847 · cited 3×
• The Face In The Floor nightmare (pp. 62–63) — pp. 62-63 · cited 3×
• Hal's tennis-court dream — "In this dream, which every now…" — p. 67 · cited 3×
• Marathe and Steeply: the soup and the free choice — pp. 429-430 · cited 3×
• Marathe and Steeply: the soup and the free choice — "Perhaps the facts are true, after…" — pp. 429-430 · cited 3×
• Marathe and Steeply: the Master copies and temptation — "You’ve never been even slightly tempted?…" — pp. 490-491 · cited 3×
• Gately and Joelle: the veil and the perfect — pp. 537-538 · cited 3×
• Rodney Tine's samizdat dossier — "seventeen police, paramedics, and teleputer-technicians in…" — pp. 548-549 · cited 3×
• Arslanian blindfolded; Doucette's breakdown (pp. 567–568) — pp. 567-568 · cited 3×
• Orin survey, the wheelchair man — "But not the same. The choice…" — pp. 600-601 · cited 3×
• Steeply's father and M*A*S*H (pp. 638–639) — pp. 638-639 · cited 3×
• the AFR searches the Antitoi shop — "young Tassigny, with characteristic valor, volunteered…" — pp. 722-723 · cited 3×
• the AFR searches the Antitoi shop — "to face on its own the…" — pp. 722-723 · cited 3×
• Marathe and Kate Gompert at Ryle's — "what if I were to claim…" — pp. 781-782 · cited 3×
• Marathe and Kate Gompert at Ryle's — "My opinions are only that the…" — pp. 781-782 · cited 3×
• Molly Notkin's interrogation (pp. 787–788) — pp. 787-788 · cited 3×
• Marathe and Steeply: choose your temple (pp. 105–106) — pp. 105-106 · cited 3×
• Hal watches Good-Looking Men in Small Clever Rooms — "The art-cartridge critics and scholars who…" — pp. 910-911 · cited 3×
• Joelle's interview about the Entertainment (pp. 938–939) — pp. 938-939 · cited 3×
• Hal's American-hero essay — pp. 141-142 · cited 3×
• Mario’s birth and defects — pp. 312-313 · cited 3×
• Mario’s birth and defects — "This is why she tries so…" — pp. 317-318 · cited 3×
• the interview aftermath, E.R. — pp. 16-17 · cited 3×
• Pemulis catches Avril and Wayne (pp. 552–553) — pp. 552-553 · cited 3×
• Hal’s confession to Mario (pp. 784–785) — pp. 784-785 · cited 3×
• Molly Notkin’s interrogation (pp. 787–789) — pp. 787-789 · cited 3×
• Gately’s Death-as-mother dream — pp. 851 · cited 3×
• JOI’s life and the founding of E.T.A. — "ceded control over most of the…" — pp. 63-64 · cited 3×
• Poor Tony's seizure (pp. 306–307) — pp. 306-307 · cited 3×
• Marathe and Steeply on choosing — "How to choose any but a…" — pp. 320-321 · cited 3×
• Lyle and JOI in the weight room — p. 379 · cited 3×
• The Man From Glad and the mattress (pp. 502–503) — pp. 502-503 · cited 3×
• JOI's life, death, and the founding of E.T.A. — pp. 63-64 · cited 3×
• Hal vs. Stice, the bleacher talk — pp. 680-682 · cited 3×
• Hal alone in Viewing Room 6 — pp. 686-687 · cited 3×
• Schtitt and Mario — pp. 79-80 · cited 3×
• Gately's football and decline — "Every coach past 6th grade told…" — pp. 902-903 · cited 3×
• JOI's life and E.T.A.'s founding — pp. 63-64 · cited 3×
• Orin, B.U. punting, and Joelle (p. 299) — p. 299 · cited 3×
• Prorector classes and the Separatism seminar — pp. 311-312 · cited 3×
• Mario's birth and defects (p. 312) — p. 312 · cited 3×
• The ONANtiad headline montage — "Mario as auteur opts for his…" — pp. 391-392 · cited 3×
• The ONANtiad headline montage — "all these twirling journalistically out from…" — pp. 393-394 · cited 3×
• Hal on Himself's audience films (pp. 395–396) — pp. 395-396 · cited 3×
• Hal on Himself's audience films — "except as the shield and little…" — pp. 397-398 · cited 3×
• Hal on Himself's audience films — "they’d figure the tri-lensed Bolex H32…" — pp. 398-399 · cited 3×
• Master copies and the temptation — "But not so much for content,’…" — pp. 490-491 · cited 3×
• Master copies and the temptation — "Tom Flatto’s personal theory is the…" — pp. 490-491 · cited 3×
• The Man from Glad and the mattress (pp. 502–503) — pp. 502-503 · cited 3×
• Hal in V.R. 6: Wave Bye-Bye to the Bureaucrat (pp. 686–687) — pp. 686-687 · cited 3×
• Hal in V.R. 6: Wave Bye-Bye to the Bureaucrat — "Don’t I wish,’ the ex-bureaucrat says…" — pp. 689-690 · cited 3×
• Blood Sister: the finale — "On-screen, we’re still following the tough…" — pp. 713-714 · cited 3×
• Joelle's teeth and the dentist dream — "His bib hangs by a necklace…" — pp. 724-725 · cited 3×
• Mario's Bolex walk and Avril on sadness (pp. 754–755) — pp. 754-755 · cited 3×
• Hal supine; Pemulis wants to interface — "The art-cartridge critics and scholars who…" — pp. 910-911 · cited 3×
• Joelle's Q-interview on the master — "I was in two scenes. What…" — pp. 938-939 · cited 3×
• Mario's cartridge: Tennis and the Feral Prodigy (pp. 171–172) — pp. 171-172 · cited 3×
• Gately's dreams: Mrs. Waite and Death (pp. 850–851) — pp. 850-851 · cited 3×
• The face-in-the-floor nightmare — pp. 61-62 · cited 3×
• Gately's dream-M.D. temptation (pp. 883–884) — pp. 883-884 · cited 3×
• Stice's bed and Lyle on objects — p. 394 · cited 3×
• the dead-infant speaker: 'almost doesn't sound corny' — pp. 378-379 · cited 3×
• Mario's Onantiad gala: absolution via irony — pp. 385-386 · cited 3×
• Gately & Joelle: 'I am deformed with beauty' — pp. 537-538 · cited 3×
• Gately staff snippets: the suitcase paradox — pp. 564-565 · cited 3×
• Mario's night walk: the eye-roll rule — pp. 592-593 · cited 3×
• Wave Bye-Bye to the Bureaucrat: loved openly, loved secretly — pp. 688-689 · cited 3×
• Joelle at the meeting: choosing to believe — pp. 710-711 · cited 3×
• Blood Sister's finale: CONTRARIA SUNT COMPLEMENTA — pp. 713-714 · cited 3×
• late Hal on the VR5 floor: too many potential responses — pp. 906-907 · cited 3×
• Joelle's Q-interview: 'an ironic joke. To me.' — pp. 940-941 · cited 3×
• Mikey at the podium: the apology that makes him puke — pp. 959-960 · cited 3×
• the A.D.A.'s Ninth Step: the mismatched socks — p. 964 · cited 3×
• the Barry Loach saga: Mario's literalism saves a soul — p. 971 · cited 3×
• Day vs. Gately: the cliché-aria — p. 270 · cited 3×
• Day vs. Gately: the slogan that deepens — p. 270 · cited 3×
• The interview aftermath and the E.R. (p. 17) — p. 17 · cited 3×
• The locker-room quiz — "to even realize what they’re sitting…" — p. 95 · cited 3×
• Founder lore and the Glynn letter (pp. 138–139) — pp. 138-139 · cited 3×
• Dawn drills and the second world (p. 461) — p. 461 · cited 3×
• Anhedonia and It (ii) — pp. 692-693 · cited 3×
• Hal eats the mold (p. 10) — p. 10 · cited 3×
• Hal eats the mold — "O. says his memory diverges at…" — p. 11 · cited 3×
• Young Jim, his father, and the mattress — "I remember I was eating lunch…" — p. 491 w/ n.208 (p. 1034) · cited 3×
• Young Jim, his father, and the mattress — "From Ch. 16, ‘The Awakening of…" — p. 491 w/ n.208 (p. 1034) · cited 3×
• Hal in V.R. 6 (Wave Bye-Bye to the Bureaucrat) (pp. 686–687) — pp. 686-687 · cited 3×
• Marathe and Steeply on disguises — "Marathe had not been aware of…" — p. 127 · cited 3×
• the A.F.R. war aims: not territory but demonstration — the testicular frappe — pp. 722-723 · cited 3×
• the A.F.R. war aims: not territory but demonstration — the testicular frappe — "The A.F.R. were interested only in…" — pp. 722-723 · cited 3×
• the A.F.R. war aims: not territory but demonstration — the testicular frappe — "Québec would be not so much…" — pp. 722-723 · cited 3×
• the Entertainment as war-trigger: Fortier's bus reverie — the A.F.R. utopia — pp. 727-728 · cited 3×
• the Entertainment as war-trigger: Fortier's bus reverie — the A.F.R. utopia — "He imagines M. Tine holding the…" — pp. 727-728 · cited 3×
• the Entertainment as war-trigger: Fortier's bus reverie — the A.F.R. utopia — "He imagines teacups clinking thinly beneath…" — pp. 727-728 · cited 3×
• Marathe's defection: the defection price list — protection and Gertraude's care — pp. 752-753 · cited 3×
• Marathe's defection: the defection price list — protection and Gertraude's care — "demanding hidden protection from Steeply and…" — pp. 752-753 · cited 3×
• the Separatism primer: the A.F.R.'s debut — terror as resentment over waste — pp. 311-312 · cited 3×
• the Separatism primer: the A.F.R.'s debut — terror as resentment over waste — "brought to light the first tangible…" — pp. 311-312 · cited 3×
• the founding headline montage: coercion dressed as continental alliance — p. 391 · cited 3×
• the founding headline montage: coercion dressed as continental alliance — "MEXICO SIGNS ON FOR ‘ORGANIZATION OF…" — p. 391 · cited 3×
• the founding headline montage: Canada 'Nuck'les under — the big sticks — pp. 391-392 · cited 3×
• the founding headline montage: Canada 'Nuck'les under — the big sticks — "CANADA ‘NUCK’LES UNDER…" — pp. 391-392 · cited 3×
• the founding headline montage: Canada 'Nuck'les under — the big sticks — "ACID RAIN, LANDFILLS, BARGES, FUSION-TECH, MANITOBAN…" — pp. 391-392 · cited 3×
• the founding headline montage: Subsidized Time arrives as a calendar auction — p. 391 · cited 3×
• the founding headline montage: Subsidized Time arrives as a calendar auction — "BURGER KING’S PILLSBURY AWARDED RIGHTS TO…" — p. 391 · cited 3×
• the founding headline montage: Subsidized Time arrives as a calendar auction — "CALENDAR AND PRE-PRINTED CHECK INDUSTRIES STOCKS…" — p. 391 · cited 3×
• the founding headline montage: the founding consummated — Gentle as first Chair — pp. 393-394 · cited 3×
• the founding headline montage: the founding consummated — Gentle as first Chair — "an agreement to make the U.S…" — pp. 393-394 · cited 3×
• the founding headline montage: the founding consummated — Gentle as first Chair — "holds out the promise of a…" — pp. 393-394 · cited 3×
• the Concavity Cabinet: the manufactured contamination — pp. 398-399 · cited 3×
• the ad-industry reordering: Subsidized Time's placemat conception; the Tine/Luria subplot — p. 410 · cited 3×
• the ad-industry reordering: Subsidized Time's placemat conception; the Tine/Luria subplot — "the famous Vienna, Virginia Szechuan steakhouse…" — p. 410 · cited 3×
• the Gentle Cabinet: the escape hatch — selling the calendar itself — pp. 441-442 · cited 3×
• the Gentle Cabinet: the escape hatch — selling the calendar itself — "Tine sold Johnny Gentle on his…" — pp. 441-442 · cited 3×
• the Gentle Cabinet: the escape hatch — selling the calendar itself — "have a gander at these restaurant…" — pp. 441-442 · cited 3×
• the p-terminal precedent: the Entertainment's precursor was "totally a Canadian show" — pp. 470-472 · cited 3×
• the p-terminal precedent: the Entertainment's precursor was "totally a Canadian show" — "This was totally a Canadian show…" — pp. 470-472 · cited 3×
• the Antitoi raid: the raid's object — Québec-on-Québec violence for the anti-O.N.A.N. weapon — pp. 485-489 · cited 3×
• the Antitoi raid: the raid's object — Québec-on-Québec violence for the anti-O.N.A.N. weapon — "Does this shop have the 585-rpm-drive…" — pp. 485-489 · cited 3×
• the copy-census: every anti-O.N.A.N. cell holds a Read-Only — pp. 489-490 · cited 3×
• Marathe on the temptation: Us of Québec have never felt this temptation — p. 508 · cited 3×
• Marathe on the temptation: Us of Québec have never felt this temptation — "Us of Québec’s cause, we have…" — p. 508 · cited 3×
• Tine in Boston: the security crisis and the president with no N.S.A. — pp. 548-549 · cited 3×
• Tine in Boston: the security crisis and the president with no N.S.A. — "Tine’s in metro Boston because of…" — pp. 548-549 · cited 3×
• Tine in Boston: the Canadian Problem — Concavity politics and the Entertainment become one plot — pp. 549-550 · cited 3×
• Tine in Boston: the Canadian Problem — Concavity politics and the Entertainment become one plot — "The U.S.’s Canadian Problem is U.S.O.U.S…" — pp. 549-550 · cited 3×
• Tine in Boston: the Canadian Problem — Concavity politics and the Entertainment become one plot — "The possibility of Canadian involvement in…" — pp. 549-550 · cited 3×
• Eschaton debacle (pp. 340–343) — pp. 340-343 · cited 3×
• Marathe & Steeply, Rivers of Reward — pp. 474-475 · cited 3×
• the honeytrap sprung — p. 565 · cited 3×
• watchers timed around the other service — p. 574 · cited 3×
• Lenz kills the Nuck dog — "A first-floor light in the house…" — pp. 588-589 · cited 3×
• the A.F.R. search the Antitoi shop (p. 723) — p. 723 · cited 3×
• the A.F.R. find the Entertainment (pp. 727–728) — pp. 727-728 · cited 3×
• Marathe & Steeply, betrayal (pp. 94–95) — pp. 94-95 · cited 3×
• four branches, no decision — pp. 752-753 · cited 3×
• the cover half-dropped — pp. 776-782 · cited 3×
• the interrogation as noir cosplay — p. 787 · cited 3×
• Joelle confesses the veil — pp. 939-941 · cited 3×
• Orin's technical interview (p. 971) — p. 971 · cited 3×
• Orin calls, asks about Separatism — pp. 136-137 · cited 3×
• the Year of Glad interview: using a boy for just his body — p. 10 · cited 3×
• Gately's football past: a limitless future, if he bears down — p. 902 · cited 3×
• Gately's football past: replaced by a fresh body with limitless potential — p. 906 · cited 3×
• the locker room after drills: the regimen day, itemized — p. 95 · cited 3×
• Lyle introduced: the guru who lives off the sweat of others — p. 127 · cited 3×
• urine-day: the O.N.A.N.T.A. urine collector — p. 151 · cited 3×
• urine-day: a fourth of them can't pass the scan — p. 151 · cited 3×
• the Year of Glad collapse: computing the draw from the gurney — p. 17 · cited 3×
• the garage gospel: what it means to be a body, meat torn open — p. 169 · cited 3×
• the Feral Prodigy script: shaped or broken, opponents as mirrors — p. 176 · cited 3×
• the Feral Prodigy script: the Game is about managed fear — p. 176 · cited 3×
• the Feral Prodigy script: this is your body, you will have it always — p. 176 · cited 3×
• the grief-therapy call: playing out of your head, The Zone — p. 242 · cited 3×
• Orin aloft: "spare the Leg" — p. 66 · cited 3×
• Orin's defection: the awful age: the Show, the satellite tour, or nothing — p. 283 · cited 3×
• Eschaton: the territory turns back into bleeding children — p. 343 · cited 3×
• Stice comes to Lyle: even the supernatural is first a threat to the Show — p. 394 · cited 3×
• Stice comes to Lyle: do not underestimate objects — p. 395 · cited 3×
• the Clipperton Suite: the institution refuses to count him — p. 430 · cited 3×
• the Fresno case: the syndrome the whole academy is built to prevent — p. 436 · cited 3×
• dawn drills: you are not arms — p. 461 · cited 3×
• the blindfold supper: the blind kid ranks high because he's blind — p. 567 · cited 3×
• the blindfold supper: the blind kid ranks high because he's blind — "Thorp tells that his excellence of…" — p. 567 · cited 3×
• the Steeply–Poutrincourt colloquy: Wayne is pure force; the difference is the head — p. 682 · cited 3×
• the post-Stice debrief: the afternoon he couldn't feel the ball on his stick — p. 689 · cited 3×
• Joelle's teeth: the teeth that have been up to things she didn't know — p. 724 · cited 3×
• Hal's confession walk: the full-spectrum scan, the kind the Show uses — pp. 782–783 · cited 3×
• Erdedy waits for the pot delivery (p. 17) — p. 17 · cited 3×
• The "at just this moment" simultaneity montage — p. 655 · cited 3×