IJ study archive

The Face In The Floor nightmare (pp. 62–63)

quote

the flashlight with your name in maternal cursive plays over every cm. of the walls, the rheostats, CD, InterLace poster of Tawni Kondo, phone console, desks’ TPs, the face in the floor, posters of pros, the onionskin yellow of the desklamps’ shades, the ceiling-panels’ patterns of pinholes, the grid of upper bunk’s springs, recession of closet and door, boys wrapped in blankets, slight crack like a creek’s course in the eastward ceiling discernible now, maple reglet border at seam of ceiling and walls north and south no floor has a face your flashlight showed but didn’t no never did see its eyes’ pupils set sideways and tapered like a cat’s its eyebrows’ \ / and horrid toothy smile leering right at your light all the time you’ve been scanning oh mother a face in the floor mother oh and your flashlight’s beam stabs jaggedly back for the overlooked face misses it overcorrects then centers on what you’d felt but had seen without seeing, just now, as you’d so carefully panned the light and looked, a face in the floor there all the time but unfelt by all others and unseen by you until you knew just as you felt it didn’t belong and was evil: Evil. And then its mouth opens at your light.

Context

The book's founding dream image, and its best formal trap: "the face in the floor" is buried mid-inventory where the panning reader overlooks it exactly as the panning dreamer does, and when the realization lands the punctuation collapses with it. Kept intact rather than trimmed because the burial is the point. Everything else in this collection radiates from here — the flashlight becomes E.T.A. issue (p. 175), the face gets its start-date (p. 253), goes universal (p. 347), and is finally retired by its dreamer (p. 774). (The "\ /" eyebrow glyph is carried as the text renders it.)

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