JOI's life and E.T.A.'s founding
The United States government’s prestigious O.N.R. [n.23] financed his doctorate in optical physics, fulfilling something of a childhood dream. His strategic value, during the Federal interval G. Ford–early G. Bush, as more or less the top applied-geometrical-optics man in the O.N.R. and S.A.C., designing neutron-scattering reflectors for thermo-strategic weapons systems, then in the Atomic Energy Commission—where his development of gamma-refractive indices for lithium-anodized lenses and panels is commonly regarded as one of the big half-dozen discoveries that made possible cold annular fusion and approximate energy-independence for the U.S. and its various allies and protectorates—his optical acumen translated, after an early retirement from the public sector, into a patented fortune in rearview mirrors, light-sensitive eyewear, holographic birthday and Xmas greeting cartridges, videophonic Tableaux, homolosine-cartography software, nonfluorescent public-lighting systems and film-equipment; then, in the optative retirement from hard science that building and opening a U.S.T.A.-accredited and pedagogically experimental tennis academy apparently represented for him, into ‘après-garde’ experimental- and conceptual-film work too far either ahead of or behind its time, possibly, to be much appreciated at the time of his death in the Year of the Trial-Size Dove Bar—although a lot of it (the experimental- and conceptual-film work) was admittedly just plain pretentious and unengaging and bad, and probably not helped at all by the man’s very gradual spiral into the crippling dipsomania of his late father. [n.24]
Context
The Y.D.A.U. dossier's résumé of James O. Incandenza, one clause-avalanche running the entire life along a single optical rail: childhood-dream doctorate, weapons reflectors, the fusion-enabling lens indices, the patent fortune, and finally the 'après-garde' films — with the father's dipsomania spiraling up underneath. If the theme has one load-bearing passage, it's this: optics isn't a phase of the life, it's the through-line, and it ends in cinema.