IJ study archive

Scene 070: prorector classes separatism

Scene
70
Pages
307–312
When
7 Nov YDAU (2009) (dateline, p. 307); Saturday last class period, ~1435-1445h
Where
E.T.A. Saturday-afternoon classrooms (112 West House and others), with Troeltsch's WETA broadcast over the closed-circuit intercomin: E.T.A. (Enfield Tennis Academy)
POV
omniscient 3rd person, moving between Schacht (Thode's midterm) and Hal (Poutrincourt's seminar), intercut with Troeltsch's broadcast

Connects to (editorial cuts & payoffs, 8)

Summary

A Saturday-afternoon panorama of E.T.A.'s academic side: the batsoid prorector-taught electives (n.104's certification fig-leaf), Schacht breezing through Mary Esther Thode's psychopathological double-bind midterm (the kleptomaniac agoraphobe), and Troeltsch's WETA intercom sportscast grinding through the Port Washington rout with ever-more-lurid synonyms for "beat." The scene's real freight is Hal in Thierry Poutrincourt's Québecois-history seminar, where the Separatist material gives him a queasy feeling "as if someone had been reading mail of Hal's that he thought he'd thrown away" — and where the narrative delivers the A.F.R.'s origin story: a then-unknown cell dragging huge mirrors across I-87 at night so that empiricist U.S. motorists, brazening out their own impending high-beams, veer into Adirondack chasms. The illusion is finally "SMASHED" by a suicidal Valium addict who floors it straight into her own reflection — the first tangible evidence of anti-O.N.A.N. ill will beyond ordinary Separatism.

What to notice

The exam is sicker than its subject: Thode's midterm limps on pathological commas — "You are an individual who, is pathologically kleptomaniacal" — the diagnostic instrument itself showing symptoms, a study of double-binds written in unwrapped syntax. The whole scene then runs on that structure: the double-bind is taught as a no-brainer exam item and, five pages later, kills people — the I-87 mirror is the same trap weaponized, brazen it out or veer, both roads ending in the chasm, and the only driver who beats it is the one who came wanting to die. Notice the narration flagging its own slant mid-history — the parenthetical reminder that Poutrincourt's Canadian, the reach for the family word "whinged" — this primer arrives pre-filtered through a teacher's nationality and a mother's idiom, worth remembering whenever the book does geopolitics. Hal's response gets the scene's best typography: he is "both com- and repelled", the word split down the middle like the boy. And the sportscast intercutting stages a small institutional double-bind of its own — every Saturday instructor forced to host a broadcast nobody in the room may ignore, attention divided on schedule by the school's own intercom.

Beats — page-by-page

  • p. 307: dateline 7 Nov YDAU; the prorector-class ecology — certification requirements (n.104), classes "fascinating the way plane-crash footage is fascinating"; Thorp's, deLint's, and colon-mad Watson's offerings; Thode's history (Schtitt's Winter Park pupil, blacklisted off the distaff tours for F.O.P.P.P. organizing, n.105) and 'The Toothless Predator: Breast-Feeding as Sexual Assault.'
  • pp. 307-308: the midterm's ITEM 1 reproduced verbatim — the pathological kleptomaniac who is also pathologically agoraphobic; "KEEP YOUR ANSWERS BRIEF AND GENDER NEUTRAL"; Schacht loops the d in "mail fraud."
  • p. 308: Troeltsch's broadcast career profiled — the cartridge library and muted play-calling (n.106: viewer privileges he pestered out of Tavis; E.T.A.'s ban on Spontaneous Disseminations and ROM games as "venomous" stuporous passivity), the blue blazers and toupee-glassy hair (nn. 107-108 gloss the WhataBurger recording and WETA broadcast lapses); Schacht's arrival in fall YTSDB after his father's death, flags still half-mast.
  • p. 309: the sportscast: Wayne 6-0, 6-2; Hal 6-2, 6-1; Coyle's loss; Axford; then the lurid 14's run ("disembowelled," "like a duck on a Junebug," Possalthwaite's moonball coma) — Troeltsch's never-ending synonym quest.
  • p. 309: Hal's one challenging prorected class: Poutrincourt's 'Separatism and Return,' taught in gurgly Québecois French; Hal's developing layman's savvy for topics he'd found "queerly distasteful"; the strangeness of Orin suddenly calling to ask for help with Separatism (n.110 — the long Orin-Hal phone conversation; full treatment at scene n110).
  • p. 310: girls' results (Longley, Boone, "Felicity Zweig went absolutely SACPOP," Kittenplan); Poutrincourt palms her temples through every broadcast; the Saskatchewanese kid's automatic-weaponry schematics and still-wrapped ROM-diskettes (never opened, quizzes aced anyway); up through Levesque (n.109) to the Interdependent era; Hal's queasy soggy nausea — "as if someone had been reading mail of Hal's that he thought he'd thrown away."
  • pp. 310-311: Separatism history compressed: O.N.A.N., the Great Convexity gerrymander ("Poutrincourt's Canadian, recall"); Ontario/New Brunswick good sports, Alberta's far-right fringe, "only the proud and haughty Québecois who whinged" (n.111: whinge as an Avril-via-Incandenza-family idiom — the narrator is using Hal's mother's word).
  • pp. 311-312: the mirror atrocities (n.112 names the cell: the soon-to-be-dread A.F.R. of the Papineau region): high-beam standoffs with one's own reflection, "many-petaled bloom of Hi-Test flame"; twenty months of inexplicable single-car "doze" accidents; Tine's embarrassing drowsy-driving PSAs; the Schenectady Valium addict who saw the impending lights "as Grace and shut her eyes and floored it," spraying micronized silver — 'SMASHED THE ILLUSION,' the first proof of an ill will "way worse than anything aroused by plain old historical Separatism."

Themes in this scene

  • Nationalism and O.N.A.N.: the fullest in-text primer so far on Separatism, the Convexity gerrymander, and the A.F.R.'s debut — terror as a geopolitics of resentment over waste.
  • The Body and Tennis: the institutional underside of the athletic factory — prorectors as purgatorial cautionary figures, academics as joke-credential ballast, victory reduced to synonym-lists.
  • Communication and Solipsism: Hal's read-mail queasiness — the apolitical boy registering, pre-consciously, that the Québec material is somehow about him; also Troeltsch broadcasting into rooms of people performing attention.
  • Entertainment and the Self: n.106's doctrine that broadcast spectation is "venomous" to everything E.T.A. exists for — the school's official anti-Entertainment theology, stated in a note about cartridge-viewer privileges.
  • Film and Optics: the mirror as weapon — naive empiricism dying in a head-on collision with its own reflection is the book's optics obsession weaponized (the would-be suicide smashes the illusion precisely by choosing the reflection — her fate past that instant unreported).

Connections — backward & forward

Backward

  • The Port Washington results recap scene 065 (pp. 258-270) match by match; the Freer/Longley bus incident (scene 067) shadows Longley's appearance here.
  • Schacht's father's death (p. 308) deepens scene 065's portrait of post-Crohn's Schacht, the one player free of the Show-carrot; another fathers-sons data-point left untagged here.

Forward

  • n.110 hangs off Hal's Separatism savvy: the Orin-Hal call it footnotes is its own long narrative note, scene n110 (Orin pumping Hal about Separatism, the Moms, and J.O.I. — same call-cluster as scene 064).
  • The mirror-cell origin story is the A.F.R.'s entrance in the main text (n.112 names them); it feeds every Marathe/Steeply installment (incl. the serial's next installment, scene 072 — Mario's birth interlude 071 sits between), the train-jumping initiation lore (pp. 732-733, 1058-1059/n.304), and the Antitoi raid (pp. 480-489).
  • The Schenectady would-be suicide who "MADE THE BREAKTHROUGH" by accelerating into her own headlights is a compact allegory of the Entertainment's logic — choosing annihilating pleasure/Grace head-on; pairs with Marathe's "choose death by pleasure" argument in the serial's next installment (scene 072, p. 319).
  • Hal's "read mail" nausea foreshadows his unwitting centrality to the A.F.R. plot (the Entertainment's star is his father's obsession; the wheelchairs are already tailing Orin in scene 064) and reads retrospectively as wraith-adjacent dread.
  • Thode's double-bind midterm is the book's pet structure miniaturized — cf. Marathe/Steeply on freedom-from vs. freedom-to (scene 072), Joelle's cage/door (scene 062), and the Eschaton map/territory collapse (scene 073).
  • Whinge/n.111: the narrator borrowing Incandenza-family idiom mid-history-lecture is evidence for the Hal-inflected (or Hal+wraith) narrator question.

Notable passages (5)

  • pp. 307-308: ITEM 1 in full — the kleptomaniac agoraphobe; the double-bind as exam question; "Thus, respond to the question of, what do you do?"
  • p. 309: Troeltsch's lurid synonym cascade ("spread Ville Dillard on a cracker like some sort of hors d'oeuvre and bit down") — language as the only variable in repetitive spectacle.
  • p. 310: "as if someone had been reading mail of Hal's that he thought he'd thrown away" — this scene's eeriest sentence; Hal's unconscious implication in the geopolitics.
  • pp. 311-312: the mirror-trap sequence ("They'd flash their high beams, but to all appearances the impending idiot would just flash his high beams right back") — terror via optics; nationalism-onan and film-optics fused.
  • p. 312: the Valium addict who "saw the sudden impending headlights in her northbound lane as Grace and shut her eyes and floored it" — suicide, Grace, and illusion-smashing in one clause.

What links here Manuscript differences (1) · Timeline events here (30) · Connected from (5) · Passages quoted here (29) · Motifs (11)

Manuscript differences

Timeline events here

Connected from

Passages quoted here

Motifs