IJ study archive

Scene n324: trust math locker room

Pages
1066–1072
When
17 Nov YDAU (2009), ~1420h-on (1420h in the note; end-time inferred from sub-fn b's 1430h match start; same day as scene 158's morning)
Where
E.T.A. males' locker room, downstairs in Comm.-Ad., Enfieldin: E.T.A. (Enfield Tennis Academy) › E.T.A. locker rooms
POV
3rd person, Pemulis-aligned free indirect; opens in a generic second-person 'you'; tense slips repeatedly between past and habitual present

Connects to (editorial cuts & payoffs, 19)

Summary

Endnote 324 is a full narrative scene with its own dateline (17 NOVEMBER — YDAU), hung in the main text off Johnette Foltz's "Much later, in subsequent events' light" at the end of Hal's morning visit to Ennet House (p. 787, scene 158): the afternoon of that same day. Pemulis comes down to the locker room at ~1420h for a challenge match against Keith Freer — a match worth a WhataBurger-plane spot, for which he has broken a personal honor code and taken pre-match Tenuate — and finds his Big Buddy Todd Possalthwaite weeping "Nothing's true" because his developer father has welched on a Disney World deal. Against Freer's mirthless mirror-side cynicism, Pemulis delivers a genuinely tender, fully Pemulisian consolation: you can trust math — deductive truth, "independent of sense or emotionality," "the vital statistics of God or equivalent." Buried in a mid-scene parenthetical is a major plot reveal: he and Hal escaped on-the-spot urinalysis after the Eschaton debacle only because Pemulis implied to Avril that he'd tell Hal about her "major-sport interlude with John Wayne." Meanwhile the Tenuate isn't kicking in — Pemulis feels only dryness in eyes and mouth, i.e. the profile of Troeltsch's Seldane (a "mucoidal desiccator," n.22), which Wayne was rooting for at Troeltsch's bedside table after lunch — and the note ends with Stice, already heading back out, tossing over his shoulder: "Troeltsch's got Wayne on the air and Wayne's lost his mind."

What to notice

The catastrophe is assembled in plain sight of the man it will destroy: Pemulis holds every datum — Wayne shirtless over Troeltsch's "pharmacopic bedside table", the missing Tenuate verve, the telltale dryness — and his memory keeps circling it, "trying to remember this Wayne-memory's point", before landing on the wrong point entirely: the sock-and-shoe class tell, "one foot bare and one in a sock and shoe". Class is the register Pemulis reads the world through — shirt on head-hole first, "his late great Da's old-fashioned way", against the upscaler kids' arm-holes — and that lens, the warmest thing in his makeup, is exactly what blinds him to the pharmacology; the reader outruns him by pages. Notice the note's architecture: it opens with a long second-person elegy for the room "At slack times" (the "slack and empty times" phrasing is sub-footnote b's), a hush built to precede the loudest event of E.T.A.'s year, and it closes with the sermon interrupted mid-litany by the very catastrophe the note has been quietly assembling around its preacher — Pemulis praising the one incorruptible truth while the empirical world detonates his life over the intercom, the scene's structure quietly refuting the doctrine it lets him state so beautifully. And his icon travels: "kneel and revere the double S" means the integral sign, but the reader has lately spent a long endnote with the book's other double S, the sinuous wheel-track escutcheon of the A.F.R. — two faiths in the pure abstract, the consoling and the murderous, rhyming on a single glyph.

Beats — page-by-page

  • p. 1066: Dateline. Generic-you meditation on the locker room at empty times — the stunned quality of crowded places gone quiet; the intricately lit triple mirror ("Dr. J. O. Incandenza knew his adolescents"); head custodian Dave ('F.D.V.') Harde napping on benches; Pemulis's shower-tile vocals; Schacht's commode-clearing power; the prorectors' private dicky-proof lounge.
  • p. 1067: Pemulis down at ~1420h for P.M.s (sub-fn b: seniors' challenge-match perk = slack-time locker room) finds 14-A "lobber nonpareil" Possalthwaite near-nude, hunched, weeping into his hands, nose still in surgical tape; Freer shirtless at the mirror ministering to his complexion. Pemulis's locker archaeology: the factory-concealed niches and cayenne anti-sniffer-dog packets of his callow youth, superseded by "the ultimate entrepôt above the false ceiling in Subdorm B's male hallway."
  • p. 1067: Freer relays the trouble: Postal Weight's old man promised so-and-so (Disney World) for thus-and-such, and now "the Dad's trying to restructure the original deal." Possalthwaite: "Nothing's true."
  • p. 1068: Pemulis offers Eschaton-fallout comfort — "they're blaming nobody under 17, it turns out"; calls up the father on-screen (Minneapolis mall developer, "a dagger of a Dad"). The load-bearing parenthetical: pre-match Tenuate despite the 36-hour elimination curve (sub-fn d), because a win over Freer = the WhataBurger plane; he and "Inc" escaped on-spot urinalysis only via the implied threat to tell Hal about Avril and Wayne; Avril as "coldly-biding-her-time-not-to-be-fucked-with administrative figure"; the electrified-Rusk-doorknob-and-litigation incident; the 'drines aren't kicking in — only "enforced-feeling dryness in his eyes and mouth."
  • ~p. 1069: "Certain things are rock-solid, high-grade true." Freer's hard-g angst speech ("Thirteen: pain's a rumor"). The after-lunch memory: Wayne, shirtless, rheumy, raiding sick Troeltsch's bedside table for Seldane, "the battlefield-nuke of antihistamines" (sub-fn e → n.22); Wayne down to play the Syrian Satelliter at 1515h; the unmentioned "virtuosic but tense performance in a certain administrative office a week ago"; the 11/14 Olde-English e-board leaflet announcing a Wayne/Avril arithmetic presentation "on how 17 can actually go into 56 way more than 3.294 times"; Wayne caught one foot bare, one in sock-and-shoe (scholarship-kid tell). WETA crackles on with its Joan Sutherland theme.
  • ~p. 1070: "This is a like serious emotiono-philosophical deal"; Rader and Csikszentmihalyi arrive towel-snapping ("the good Dr. Pemulis had been prescribing for himself again"); sociology of the male 16s — exclusion of Stice and of Kornspan (suspected of the two burnt collarless cats found on the hillside); "the age staring down the barrel not of Is anything true but of Am I true."
  • ~p. 1071: van Slack's head-and-guitar-neck summons. The sermon: "Todder, you can trust math... First-order predicate logic. Never fail you... Whose truth is deductive truth. Independent of sense or emotionality... listen: it's true." Freer: "This from a man on academic probation for who knows the length." The parametric-equations line-integral axiom (same curve traced in opposite directions → values that are negatives of each other); the litany of mathematicians as knights-of-faith rescue (Peano, Leibniz, Hilbert, L'Hôpital, Fourier, Gauss, LaPlace, Rickey, Wiener, "Reimann," Frege, Green). Running feet; McKenna's wild head-in-and-out; Csikszentmihalyi: "There is expression. You must immediately come... John Wayne is insanely holding forth innermost thoughts for public ears." Pemulis's last word to Possalthwaite: "Never trust the father you can see." Stice, over his shoulder: "Troeltsch's got Wayne on the air and Wayne's lost his mind."
  • pp. 1071-1072 (~): six lettered sub-footnotes a-f: a = fuller's earth and the YTMP aluminum-impotence panic; b = seniors' 1430h challenge-match perk; c = pale feet as perverse mark of competitive status; d = Tenuate's esterase-engineered 36-hr clearance; e = q.v. n.22 (Seldane); f = the Euroclay brachiation ritual and Hartigan's Orly hysterics.

Themes in this scene

  • Irony and Sincerity: the note's whole engine — Possalthwaite's "Nothing's true" met by Pemulis's sincere, ridiculous, true "trust math" sermon, against Freer's professionally mirthless cynicism; Pemulis as the book's great ironist caught being earnest.
  • Fathers and Sons: a welching father detonates a 13-year-old's metaphysics; Pemulis's "late great Da" (head-hole first, yellowed Hanes); van Slack's redoubted Da; capped by "Never trust the father you can see."
  • The Body and Tennis: locker-room body culture (mirrors, Pledge, colposcope, catgut pitch-testing), challenge-match stakes, towel-snapping as developmental stage.
  • Addiction and Recovery: Pemulis "prescribing for himself"; the honor-code violation, stash history, 36-hr-curve risk calculus inside his own 30-day urine window.
  • Family and Hamlet: the Avril/Wayne affair weaponized — Gertrude-and-court intrigue as blackmail; Tavis as "Gretel the Cross-Sectioned Cow."
  • Maps and Territory: Pemulis again preaching the pure abstract (a priori, "independent of sense") as the only trustworthy realm — the direct sequel to his map-not-territory Eschaton doctrine (scene 073).
  • Communication and Solipsism: Wayne "insanely holding forth innermost thoughts for public ears" — the exact inversion of Hal's inner-vs-spoken predicament; Possalthwaite's palm-muffled keening.

Connections — backward & forward

Backward

  • The pill-swap implication: Pemulis came up after lunch for Tenuate and found Wayne at Troeltsch's bedside table for Seldane; Pemulis then gets no Tenuate verve, only dry eyes/mouth — Seldane's exact profile ("mucoidal desiccators," n.22) — while Wayne goes verbally disinhibited on-air. The book plants the answer in advance — scene 018 (p. 60): only the Seldane bottle "actually contains several Tenuate 75-mg. capsules Troeltsch has incrementally promoted from Pemulis's part of the room" — and n.332 adjudicates it outright: "the Wayne-dosing had been a total accident and in no way Pemulis's deal, if anybody's Troeltsch's" (pp. 1073-1074).
  • Pemulis doping inside his own negotiated urine window rhymes with the planned DMZ experiment before the same deadline (n.321; DMZ provenance scenes 050 and 057).
  • The JOI-designed mirror ("knew his adolescents") extends film-optics/mirror motifs; Troeltsch's match-calling habit and his illness/Seldane were established back at scene 018 (p. 60); the WETA station itself enters at scene 070 (pp. 307-312).
  • The hidden-urologist thread of scene 102 runs through this note's parenthetical reveal (p. 1068) — the escape from on-the-spot urinalysis ran through Pemulis's blackmail of Avril over Wayne — and on to the quiet expulsion (n.332); the Pemulis-Hal urine-deal conversation itself is scene 155 (p. 772).
  • The "certain administrative office" performance "a week ago," mentioned by neither Pemulis nor Wayne, and the 17-into-56 leaflet (Wayne 17, Avril ~56): the office scene where Pemulis catches Avril and Wayne is scene 108, pp. 550-553.
  • Eschaton fallout: Possalthwaite's nose and palm bandages, "blaming nobody under 17," "Eschaton lives on... Underground or no" — direct sequel to scene 073 (pp. 321-342) and the injury inventory of n.147 (see scene 081's connections).
  • The two burnt collarless cats on the hillside (blamed on Kornspan by the 16s) plausibly belong to Randy Lenz's escalating animal-killings, whose nightly-walk progression sits at pp. 538-589 (scene 105, 109, 111, 116) — flagged as reader-inference, not stated.

Forward

  • Anchor in main text: scene 158 (pp. 785-787) — the [n.324] marker sits on Johnette Foltz's "Much later, in subsequent events' light" recollection of Hal's Ennet House visit, 0830h the same 17 Nov. The note is that day's E.T.A. afternoon; "subsequent events" points at the Wayne broadcast and the endgame generally.
  • Wayne's on-air meltdown is the proximate ruin of E.T.A.'s #1: its aftermath surfaces at scenes 179 and 183 (pp. 941ff); cf. scene 003's YG line that Wayne "would have won this year's WhataBurger" — present-tense alive but conspicuously not winning it.

Notable passages (7)

  • p. 1066, "Sometimes at odd little times of day..." — the generic-you elegy for crowded places at empty times; the best mirror in the Academy.
  • p. 1068, "(Pemulis calculates a win or even three-setter w/ Freer..." — the parenthetical that quietly detonates the plot: Tenuate, WhataBurger, and the Avril blackmail reveal.
  • ~p. 1070, "They were the age staring down the barrel not of Is anything true but of Am I true" — the note's thesis on adolescence, doubling Possalthwaite's crisis.
  • ~p. 1071, "Todder, you can trust math... The nightlight on life's dark wall, late at night... listen: it's true." — Pemulis's credo; irony-sincerity distilled.
  • ~p. 1071, the line-integral axiom ("the same curve J... traced in opposite directions... negatives of each other") — an annular figure smuggled into the consolation; the book's ring traced both ways.
  • ~p. 1071, "Never trust the father you can see." — last line to Possalthwaite before the Wayne news; the ghost-father inverse of family-hamlet.
  • ~p. 1071, "Troeltsch's got Wayne on the air and Wayne's lost his mind." — the note's cliffhanger close.

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