Old TV shows
A dense sediment of old broadcast television runs book-wide, surfacing from the feral-hamster section onward. It begins with Ward and June "from Leave It to Beaver" and anchors the hero-essay around Hawaii Five-0 and Hill Street Blues, then accumulates into a whole lost dial — Mr. Howell, Jethro Bodine, the Partridge Family "slowed down to a narcotized slur," MAS*H. Its uncanny peak is the séance roll-call of ghost-characters — "Jeannie, Samantha, Sam and Diane, Gilligan, Hawk-eye, Hazel, Jed" — a spirit-summoning conducted entirely through syndication. Recurring titles like Hawaii Five-0 and Twin Peaks stitch scenes together, and the same lexicon eventually floods the wraith's speech. The thread quietly registers television as the culture's shared unconscious — a communal memory bank that the novel's Entertainment apparatus will weaponize.
Echoes
- Scene 030: feral hamsters
- Scene 034: locker room big buddies
- Scene 044: hal hero essay
- Scene 047: videophony rise fall
- Scene 050: pemulis scores dmz
- Scene 070: prorector classes separatism
- Scene 093: hal teeth dream wyyy
- Scene 116: lenz kills nuck dog
- Scene 119: orin survey wheelchair man
- Scene 120: gately shot nucks
- Scene 123: steeply father mash
- Scene 124: gompert day billowing shape
- Scene 129: tunnel club fridge
- Scene 162: gately wraith figurants
- Scene 185: fackelmann sunshine beach