IJ study archive

Scene 067: bus ride home pwta

Scene
67
Pages
281–283
When
6-7 Nov YDAU (2009) — evening of the meet through the 0030h Denny's stop
Where
P.W.T.A. post-meet mixer, then the 18's squads' bus from Long Island back to Enfield; Denny's by Empire Waste at ~0030hin: Port Washington Tennis Academy, Long Island
POV
communal 3rd person (no single center; team-wide retrospect)

Connects to (editorial cuts & payoffs, 6)

Summary

The triumphant ride home: E.T.A. returns from Long Island "bearing their shields rather than upon them," having forced the whole P.W.T.A. staff and squad to sing the really silly song. Wayne and Hal dropped five total games between them; Schacht incredibly lost (and wasn't upset enough for staff's liking, then got his purple knee injected by Barry Loach); and Pemulis won by "V.D." — Victory by Default — after his opponent abruptly found the tennis balls too pretty to hit, went on to eat from the hors d'oeuvres table without hands at the mixer, and propositioned the Headmaster's wife, while Pemulis whistled and studied the ceiling. The warm bus carries SAT prep, Flatland highlighting, Mario and Coyle's 200-click rock-paper-scissors, Tavis beaming nonstop at a window-staring Wayne, and a cruel Gothic-fonted leaflet about Freer and Bernadette Longley that mars the camaraderie. Three buses' worth stop for the Denny's Mega-breakfast at 0030.

What to notice

The craft here is prosecution by negative space: no one ever says Pemulis dosed his opponent — the evidence is a deadpan symptom list and two abstentions, the uncharacteristic failure to strut the win and the whistling "innocently up at the pre-fab ceiling" — guilt established entirely through alibi-behavior, with the reader left to convict. Set it against the previous day's planning session and the farce has a cold center: the boys had solemnly agreed to err on the side of not spiking anybody's Gatorade, and the resolve lasted exactly one match, the book filing an actual chemical assault on a stranger under comedy. Around that, this is one of the novel's few unshadowed pockets of communal warmth — liniment-spiced bus air, wordless rock-paper-scissors, the midnight Mega-breakfast — with precisely one cruelty stippled in (the leaflet, and Bernadette Longley flushing to the back of her neck) so the warmth never curdles into sentimentality.

Beats — page-by-page

  • p. 281: Results roundup: Wayne and Hal's combined five games lost; A-doubles "resembled a spatterpainting"; the distaff B teams surpass themselves; P.W.T.A. sings; Schacht's three-set loss and conspicuous non-upset get "remarked on by staff"; Schacht-Troeltsch rally in #2 dubs; Troeltsch's disconnected microphone vanishes in the showers "to the rejoicing of all."
  • p. 281: The Pemulis default: his opponent lethargic then disoriented in the second set — pointedly, only after Pemulis had lost the first set in a tie-break — delaying play because "the tennis balls were too pretty to hit," conducted gently off by trainers; only Hal and Axford remark that Pemulis isn't strutting; Loach's injection rolls Schacht's eyes up in his head.
  • p. 281: At the mixer the defaulted boy eats utensil-free (at one point hands-free), discos without music, and tells the Headmaster's wife he's always wanted to do her from behind — Pemulis whistling innocently at the pre-fab ceiling.
  • pp. 281-282: Bus interior: reading-light nozzles, Troeltsch recapping highlights into his fist (left eye "ominously nystagmic"), the C team's Stockhausen pretending to sing opera, SAT guides, the quarter-bus yellow-highlighting Abbott's Flatland, Disciplinary Lit.'s unhappy Oblomov readers, Mario and Coyle's patternless rock-paper-scissors, Tavis murmuring nonstop at Wayne in the back, the Schtittless bus (Schtitt's private mysterious way home and post-win shrillness), liniment and benzoin spicing the warm air: "Everybody was tired in a good way."
  • p. 282: deLint one bus back with the 16's, ragging Stice's and Kornspan's asses over a practically given-away doubles; Schacht listing to port, unresponsive to hands waved in front of his face — whereupon Axford and Struck start kibitzing Barry Loach that their knees feel "punk as well," angling for injections of their own.
  • p. 282: The leaflet: kingdom-of-prehistoric-England offer re: pulling Freer out of Bernadette Longley; backstory of Thode catching them under the Adidas blanket in September and the sex-segregated bus seating since; Longley's flush; her doubles partner (n.92: Diane Prins, Perth Amboy NJ) marching back to tell Struck and Pemulis "somebody on this bus was so immature it was really sad."
  • pp. 282-283: Tavis irrepressible (a Pierre Trudeau impersonation only the driver is old enough to laugh at); the three-bus Mega-breakfast at the Denny's next to Empire Waste at like 0030.

Themes in this scene

  • The Body and Tennis: victory's communal afterglow — bodies spiced with liniment, knees injected, "tired in a good way"; the team as organism, with Schacht's non-caring now officially noted by staff.
  • addiction-recovery (substances): the V.D. is all but signed by Pemulis — a chemically induced default played for comedy here, the same pharmacological gamesmanship that will end his E.T.A. career.

Connections — backward & forward

Backward

  • Flatland for Flottman/Chawaf/Thorp and Disciplinary Lit.'s Oblomov: the E.T.A. curriculum's dimension-and-stasis reading list, winking at maps-territory and the figurant problem without engaging them.
  • The Denny's "over next to Empire Waste" closes this stretch of scenes where it opened geographically — scene 063's E.W.D. installation as hometown landmark.
  • Timing note: the squads roll in at ~0030 on 7 Nov — the same calendar day Joelle, across town that afternoon-evening, has Too Much Fun (scene 062); a same-day synchrony worth noticing.
  • Direct sequel to scene 065 (the meet itself); Schacht's loss completes the arc of his preference-not-need relation to winning, and the staff's noting of it extends deLint's evaluative machinery.

Forward

  • Pemulis dosing an opponent (strongly implied, p. 281) rhymes with the DMZ thread (scene 057 — including his joke there about tossing something in the Gatorade barrels at Port Washington, p. 212, which all but signs this) and prefigures the Eschaton debacle's fallout and his expulsion — his uncharacteristic discretion (noticed only by Hal and Axford) shows he knows the stakes; the dosing's onset exactly when he was losing (first set dropped in a tie-break) marks it as insurance, not whimsy.
  • The Axford/Struck knee-kibitzing at Loach (p. 282) is the scene's neatest drug-culture beat — recreational demand instantly organizing around legitimate medicine (Carlisle's one commentary point here); Loach's own improbable-grace backstory arrives near the book's end (pp. 967, scene 183 ff.).
  • Troeltsch's nystagmic eye and fist-microphone continue his 'drines-and-broadcasting pathology (scene 065, p. 268; later the Troeltsch/Stice room-swap oddities).
  • Tavis beaming at John Wayne in the back seat extends C.T.'s cultivation of the prize recruit (and the Tavis-Wayne-Avril triangle's weirdness to come, p. 552, scene 108 ff.).

Notable passages (5)

  • p. 281: "bearing their shields rather than upon them, as they say" — the Spartan tag deadpanned into jr.-tennis idiom.
  • p. 281: "the tennis balls were too pretty to hit" — the funniest drug-onset clause in the book; Pemulis's signature left unsigned.
  • p. 282: Mario and Coyle's rock-paper-scissors "engrossed in trying to locate patterns in each other's rhythms of choices of shapes, which they both decided there weren't any" — Mario-grade contentment in randomness.
  • p. 282: "Everybody was tired in a good way." — the team-as-organism's vital sign; five flat words doing the whole scene's emotional work.
  • pp. 282-283: the Mega-breakfast close — rare unshadowed communal happiness; ends this stretch's E.T.A. thread on warmth.

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