IJ study archive

Scene 163: afr mirror ambush plan

Scene
163
Pages
845–846
When
19 Nov YDAU (2009), per dateline; Balbalis's van drives north into the blizzard that night
Where
A.F.R. operations (Antitoi Entertainment shop, Inman Sq., Cambridge, as Marathe's base); the van's route north — Methuen MA, ex-Montpelier VT, ex-St. Johnsbury, I-91/Autoroute 55 checkpointin: Quebec / A.F.R. territory · Inman Square / "Little Lisbon", Cambridge › Antitoi Entertainment (also)
POV
A.F.R. / Marathe (3rd-person, in the serial's translated-French idiom)

Connects to (editorial cuts & payoffs, 10)

Summary

Dateline 19 November YDAU: with all leads on "this veiled performer" (Madame Psychosis) come back negative, Fortier and Marathe activate the most drastic operation yet for locating the Master copy — acquiring members of the auteur's immediate family, "perhaps in public." Broullîme's Entertainment field-tests on viewer willingness have been marred: one newly acquired test-subject (a white-wigged, cookware-laden street eccentric, recognizably Randy Lenz) has been severing and pushing under the storage-room door the digits of the other subject (a weakened cross-dressed purse-carrier, recognizably Poor Tony Krause) rather than his own. Fortier departs ahead of the incoming weather for Phoenix, where a more important "technical interview" is to be conducted with Luria P—— in attendance (the Orin acquisition), leaving Marathe to run the preliminary: intercepting and replacing the Québec junior tennis squads en route to E.T.A.'s exhibition gala. Balbalis — the A.F.R. with both (withered, paralyzed) legs — drives the modified van north through the storm to install a giant mirror across I-91's southbound lanes below the border checkpoint, an old F.L.Q. trick to make the chartered bus swerve off the road, deluded by its own headlights; surviving children beyond the six the van can hold "would be allowed to die for leur rai pays."

What to notice

Two of the book's most interior street voices — Lenz and Poor Tony, inhabited for pages at a time elsewhere — return here as unnamed "test-subjects", identifiable only by costume inventory (wig, cookware, purses): the field-tests have already done to them what the cell's gaze does to everyone, kept the props and discarded the person. The horror travels entirely in the logistics register — a stop at ghost-white ex-Montpelier "for those who were incontinent to change their bags", no smoking in the van, six salvageable children — each item delivered with the same flat priority as the checkpoint schedule. Balbalis is characterized wholly by negation ("He never complained"; no preference whether the extra children live), the cell's ideal temperament being the absence of one. The single flicker of personality permitted in the whole operation is Fortier's private "amusement" at the name of the city Phoenix — one joke, unexplained, from the man flying off to spring the family trap.

Beats — page-by-page

  • p. 845: dateline; Marathe, Ossowiecke, and Balbalis all report negative on the veiled performer; Fortier and Marathe throw into effect the family-acquisition operation; Broullîme's field-test fiasco — the wigged subject substituting the cross-dressed subject's severed digits for his own, marring the statistics; Fortier weighs letting Broullîme conduct "a lethal technical interview... for reasons of anger only"; Fortier departs for Phoenix (a city's name he "had amusement from") to attend Mlle. Luria P—— at the more important interview, leaving Marathe in charge.
  • pp. 845-846: a direct assault on E.T.A. is impossible — "A.F.R.s fear nothing in this hemisphere except tall and steep hillsides"; the plan: acquire and replace the Québec junior players en route to the gala; Balbalis (both legs, "albeit paralyzed and stickishly withered, them") leads the field-detail; Marathe stays at the Antitois' Cambridge shop, withdrawing to jazz nights at Ryle's.
  • p. 846: the drive north — bypassing the Pongo checkpoint at Methuen; mirror components assembled in back; snowfall worse in the Convexity "because of the fans to the south"; ghost-white unoccupied ex-Montpelier (E.W.D.-grid fallout from Champlain), a stop for assembly and "for those who were incontinent to change their bags"; the mirror installed across I-91 southbound at ex-St. Johnsbury; the misplaced night-vision attachment briefly raising tension; the warm chartered bus at the Autoroute 55 checkpoint, destination sign reading the English word for charter; Marathe has promised "an excellent ruse to explain the wheelchairs and adult beards of the false players"; logistics of survival — if the bus is inoperable, the van holds six children at most; "The rest would be allowed to die for leur rai pays. Balbalis, he showed no preference one or the other way."

Themes in this scene

  • Entertainment and the Self: Broullîme's "viewer willingness" experiments quantify the Entertainment's lethality on human subjects; even here the data are corrupted by an addict's self-preserving cheat (another's fingers for his own) — choice under the Entertainment reduced to digits-per-viewing.
  • Nationalism and O.N.A.N.: the whole apparatus of the reconfigured map — Convexity snow worsened by the fans, fallout-emptied Vermont towns, border checkpoints, F.L.Q. tradecraft — weaponized against U.S. children for Québec's "rai pays."
  • Film and Optics: the mirror trick is the Entertainment in miniature — the bus destroyed by the image of its own lights, self-deluded by its own reflection; the A.F.R. kills with optics both times.
  • Disability and Deformity: wheelchair logistics as operational detail (incontinence bags, the ruse needed to explain "the wheelchairs and adult beards of the false players"); Balbalis distinguished by merely having legs, however withered.

Connections — backward & forward

Backward

  • The test-subjects close two long threads: Randy Lenz (last seen fleeing the consequences of the Nuck killing he caused, scenes 142 and 148 — scene 148's flight with the torn-off bags is where the cookware-and-undergarments detail comes from) and Poor Tony Krause (last seen fleeing with the purses, scene 144, pp. 719-721) have both been "acquired" — Lenz's digit-substitution is perfectly in character with his coke-logic self-preservation and cruelty (cf. his animal killings, and Gately's dream-merge of Lenz with the fly-maiming M.P., scene 162 p. 843).
  • "This veiled performer": the failed search for Joelle/Madame Psychosis follows her near-acquisition vectors in the Notkin interrogation (scene 159, pp. 788-795) and precedes the A.F.R.'s convergence on Ennet House.
  • Marathe based at the Antitois' shop: the A.F.R. still occupies the murder scene of scene 097 (pp. 475-489), where the Master-copy cartridges may already sit unrecognized among Lucien's inventory.
  • Mirror-as-weapon recalls Pemulis's mirror-revenge on Miles Penn (n.129) and the book's lens/mirror chain (the film-optics material); deluded-by-your-own-headlights is annular self-destruction in one image.

Forward

  • Fortier's Phoenix trip with Luria P—— is the Orin operation: Luria the honeypot (cf. n.234's Orin-Steeply material, scenes/scene n234) culminating in Orin under the tumbler with the roaches (scene 184, pp. 971-972) — "members of the immediate family of the auteur, perhaps in public" names the strategy.
  • The acquire-and-replace plan dovetails exactly with Hal's scene 165 (pp. 851-854): the Québec Jr. Davis/Wightman squads expected at M.I.A.-D'Orval for C.T.'s fundraiser exhibition — and Hal's observation that nothing will land at Logan in that snow is the unwitting U.S.-side view of the same blizzard Balbalis drives into. The beards-and-wheelchairs ruse is what E.T.A. staff later half-expect at the gala (scenes 167ff).

Notable passages (5)

  • p. 845: "this finally most drastic of the operations for the locating of the Master Entertainment... to acquire members of the immediate family of the auteur, perhaps in public." — the plot's last-act engine stated in one sentence.
  • p. 845: the digit-substitution sentence (one enormous Marathe-dialect period from "for one of the newly acquired test-subjects" to "reasons of anger only") — black-comic horror of the field-tests; Lenz and Poor Tony identifiable only by costume.
  • p. 846: "A.F.R.s fear nothing in this hemisphere except tall and steep hillsides." — deadpan key to both the wheelchair assassins' limits and why E.T.A.'s hilltop must be approached by ruse.
  • p. 846: "its own headlights would delude it. An old F.L.Q. trick." — the mirror ambush; anchor passage for film-optics/annularity crossover.
  • p. 846: "The rest would be allowed to die for leur rai pays. Balbalis, he showed no preference one or the other way." — fanatical arithmetic of children's lives; the cell's affectless tone at its coldest.

What links here Timeline events here (16) · Connected from (4) · Passages quoted here (19) · Motifs (2)

Timeline events here

Connected from

Passages quoted here

Motifs