IJ study archive

Scene 095: gately staff the removal

Scene
95
Pages
461–470
When
~9 Nov YDAU (2009) — iterative/habitual present; the frame day runs on into scene 097's 'Then tonight' (~1800h); long flashbacks to Gately's intake interview (~14 months earlier, late summer) and his first sober year
Where
Ennet House, Enfield MA (live-in Staff routine; dinner table); flashbacks in Pat Montesian's office, Eugenio Martinez's Subaru circling Brighton-Allston, the Provident's Sunday Beginners' Mtg., North Shore courtroomsin: Enfield Marine Public Health Hospital complex › Ennet House Drug & Alcohol Recovery House · Allston-Brighton (also)
POV
3rd person via Gately — free-indirect in his recovery-register (Losses, Surrender, the Removal capitalized)

Connects to (editorial cuts & payoffs, 9)

Summary

A portrait of Don Gately as Ennet House live-in Staff: cook of dreaded communal suppers, weekly shopper, and — on the shopping runs — unlicensed ecstatic pilot of Pat Montesian's mint 1964 Ford Aventura, the object of "some of the profoundest spiritual feelings of his sobriety." The narration unspools his legal dossier — Blue-Filed checks, forgeries, the mandatory-90-day license issue still hanging, and the darker "Nuck-VIP issue" of the botched DuPlessis burglary, whose Murder-2 investigation was mysteriously swallowed by a federal "Non-Specific Services Bureau" — then his intake interview, where Pat (herself stroke-broken into sobriety) told him grim honesty, hopelessness, and the bare desire "for the shitstorm to end" were enough to start. The scene's center is Gately's conversion mechanics: the knees-and-ceiling prayers he performed as a self-confessed hypocrite, Gene M.'s Betty Crocker cake-mix analogy (follow the directions; belief optional), and the morning on the 0430 Greenie when he realized the Desire and Compulsion had simply been Removed — a freedom so inexplicable it drove him to crack a tabletop with his head, until Ferocious Francis observed that anything minor-league enough for Gately to understand probably couldn't save his ass. It closes with his first-year cake and tears, and with affectionate comedy about his terrible cooking and the residents' oblique reviews.

What to notice

Watch the typography: in Gately's free-indirect narration the program's words arrive pre-capitalized — Losses, Surrender, Removed, Free — AA's nouns colonizing the mind's own typesetting, and the central miracle is told in agentless passive voice ("the agonizing desire" one day just "mysteriously magically removed"): grace given the grammar of an event with no subject you could name, which is the whole theological problem Gately then beats a tabletop over. The intake interview stages its thesis as dumb-show: all through Pat's explanation of blackouts — functioning without the mind's possession — Gately is obliviously rubbing an epileptic dog into spasms, acting in kindness and blind to effect; the knee-prayers will work on exactly that model, performance first, comprehension never, results anyway. And two similes carry the scene's two bodies: Pat drags her thin right leg "like something hanging on to her that she was trying to get away from" — the Disease still physically clinging to its survivor mid-testimony that the stroke was the best thing that ever happened to her — while the Aventura's paint "has the bottomless quality of water at night": the object of Gately's profoundest spiritual feelings rendered in the same water-idiom as the sea dream two pages back and the tide of the book's last line.

Beats — page-by-page

  • p. 461: the live-in Staff job — weekday suppers (weekend menu reads 'forage,' literal for some, n.188), weekly shopping, and the Aventura: two alarms, jet-engine sound, Gately barely wedged in, "like being strapped into a missile and launched at the site of a domestic errand."
  • pp. 461-462: Johnette Foltz increasingly absent (NA Commitments, wheelchair-bound fiancé); the residents' Danielle Steenbok fantasy.
  • p. 462: the rap sheet — YWQMD DUI-on-suspended-license, Bad-Check/Forgery, B&E, the Demerol-in-a-Pez-container Possession (n.189 pharmacology); court pilgrimages every couple of months in the irregular green sportcoat.
  • pp. 462-463: the darker issue — the eulogized Brookline "late owner"; Gately's signature meter-shunt M.O.; eight months of nail-biting until the stenographer's inquiries reveal the Murder-2 case vanished into a federal "Non-Specific Services Bureau," suspicion deflected to "shadowy Nucko-political bodies" in Quebec (n.190: felony-murder statute — even a defective pacemaker death means unbargainable time).
  • p. 463: Blue-File mechanics (n.191); the one un-deferrable issue: mandatory 90 days for the suspended-license DUI, awaiting some judge's Red-File whim; Gately unafraid of jail itself (the Billerica canteen-cigarettes story) — afraid only of scarce meetings and easy Demerol inside; his real fear now is ingesting Substances: "he'll now go to literally Any Lengths to stay clean" (p. 464).
  • pp. 464-465: intake flashback — he came only to dodge jail and said so; Pat: grim honesty and hopelessness are the only requirements, desperation helps; the epileptic dog spasming under his oblivious stomach-rubs; the YTMP blackout study (60% of Walpole lifers can't remember their crimes); "he couldn't recall ever having a real blackout."
  • pp. 465-466: Pat's own story (Ennet House mythology per n.193) — socialite, divorce, D.T.s stroke at thirty-two, Morse-code blinks, willing to chew a rock for the founding Guy Who Didn't Even Use His First Name; her rictus, semi-claw (n.194), lurch, and the alive kind left half of her face; "the stroke had been far and away the best thing that's ever happened to her."
  • p. 466: she personally drove him to most of his bigger North Shore court dates (lead foot, Handicapped plates, Gately nearly wetting himself on Rte. 1), threw the House's clout behind him; Gately can't figure the favoritism.
  • pp. 466-467: the program performed without belief — shoes-under-the-bed knee prayers to the ceiling ("Thinking of it as talking to the ceiling was somehow preferable to imagining talking to Nothing"); Pat: it doesn't matter what he thinks, only what he does; Gene M.'s Subaru-circling Higher-Power eccentricity and the Betty Crocker cake-mix analogy — follow the directions on the box and a cake will result, baking-chemistry comprehension not required (n.197: Gately's never checked a pasta box for directions).
  • pp. 467-468: the Removal — riding the 0430 Greenie to clean turds at the Shattuck, he realizes Substances haven't even occurred to him for days; "He was, in a way, Free… out of this kind of mental cage since he was maybe ten"; not gratitude but suspicion; at seven months he cracks the Provident's fake-wood tabletop with his head over the unintelligibility of the thing that is working (n.195: the Financial Amend for the resin).
  • p. 468: Ferocious Francis Gehaney in full — oxygen tube, martini-and-naked-lady tatt, Croc epigrams (n.196: "sobriety's like a hard-on…"); over eye-rattling coffee he suggests anything minor-league enough for Gately to understand wouldn't be major-league enough to save his addled ass from the well-dressed Sergeant at Arms.
  • p. 469: present tense again — Gately no longer much cares whether he understands; knees twice daily, cleans, listens, tells the truth, helps when asked; the September one-candle cake from the White Flaggers and his first tears in front of nonrelatives (denied: "candle-fumes in his eye").
  • pp. 469-470: the cooking comedy — the exceptionless menu (n.197), Gately's anxious-bride face over steaming pans, jailhouse-tatted plate-sized hands; Lenz's and Day's oblique cracks, McDade and Glynn's spaghetti-night routine; Ewell, Cortelyu, and handless Burt F. Smith ("whenever he can get a fork to his mouth") supplying the kindness.

Themes in this scene

  • Addiction and Recovery: the book's central recovery testimony — cage, Surrender, the mechanics of acting sober before believing anything, and the unexplained Removal of desire; also the institutional texture of Staff life, Blue Files, and Crocodile sponsorship.
  • Irony and Sincerity: Gately's entire arc here is the defeat of irony by practice — he performs prayers he finds "the limpest kind of dickless pap," follows directions off a cake-mix box he doesn't believe in, and the clichés work anyway; the narration keeps both his profanity and the sincerity intact.

Connections — backward & forward

Backward

  • Gately's mother's cirrhotic hemorrhage (p. 465) was just narrated in the Gately childhood/memories material at pp. 446-449 (scene 092; note that raw-file 093 opens with its tail) — "Pat M. was never in any way a mother-figure," a denial the book quietly tests.

Forward

  • The "Nuck-VIP issue" (pp. 462-463) is the DuPlessis burglary of scene 016-orbit (pp. 55-60): Gately's M.O., the rigged DuPlessis death (cold, bound, mucus), and the federalization under "Non-Specific Services Bureau" (= U.S.O.U.S., Rodney Tine's Unspecified Services) — which means the Office already has Gately's thread in hand, while the A.F.R. independently hunts the burglars who took DuPlessis's effects (and, per their belief, the Master — scenes 097/098). This is the fuse on Gately's whole plot.
  • The mandatory-90-day Red-File hanging over him (p. 463) and his terror of Substances, not jail, set the exact stakes of pp. 601-619, scene 120: when the Nucks come for Lenz and Gately takes the .25 slug, and later when he refuses Demerol in the trauma ward (pp. 809, scene 161ff, 885ff) — "Any Lengths" (p. 464) cashed out literally.
  • Pat's epileptic dog and stroke story (pp. 464-466) sit in eerie rhyme with the very next scene's Marathe/Steeply talk of epilepsy electrodes and Brandon's pleasure-terminals (scene 096) — treatment of seizures as the cover under which engineered pleasure enters the world.
  • Ferocious Francis (p. 468) was established at the White Flag meeting (scene 074, pp. 343-367) and becomes Gately's sponsor-voice through the hospital chapters; the "Sergeant at Arms" figure echoes the White Flag speaker idiom (p. 359 orbit).
  • Johnette Foltz's absences (p. 462) matter later: she's on desk duty during the Lenz crisis night and accompanies Joelle; the supper-table roster (Lenz, Day, McDade, Glynn, Ewell, Cortelyu, Burt F. Smith) is the cast of the Ennet House chapters from p. 560 (scene 111) onward.
  • The Aventura joyriding and 'Progress Not Perfection' rationalization recur in scene 097, where the drive's wake of trash literally raps on the Antitois' door — Gately's smallest dishonesty knotting him to the A.F.R. plot.

Notable passages (7)

  • p. 461: "it's like being strapped into a missile and launched at the site of a domestic errand" — the Aventura rapture; Gately's capacity for joy.
  • p. 464: "Gately cringed now only at the thought of the Sergeant at Arms… He'll now go to literally Any Lengths to stay clean." — the conversion's thesis.
  • p. 465: "that desire for the shitstorm to end" (with n.192's deadpan "She didn't literally say shitstorm") — Pat's minimal entry-requirement for recovery.
  • p. 467: "It didn't matter one fuckola whether Gately like believed a cake would result…" — the Betty Crocker analogy; canonical Boston-AA pragmatism.
  • pp. 467-468: "I.e. the Desire and Compulsion had been Removed… He was, in a way, Free." — the Removal passage.
  • p. 468: "maybe anything minor-league enough for Don Gately to understand probably wasn't going to be major-league enough to save Gately's addled ass" — Ferocious Francis's koan.
  • p. 469: the one-candle cake and "candle-fumes in his eye" — Gately's first tears before nonrelatives.

What links here Timeline events here (34) · Connected from (7) · Passages quoted here (34) · Motifs (5)

Timeline events here

Connected from

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Motifs