Barry Loach
Barry Loach is the Enfield Tennis Academy's Head Trainer — the blunt, scuttly man the students say resembles "a wingless fly," who shaves and tapes ankles, fits knee-braces, checks reflexes, and patrols the weight room with a clipboard he never writes on. In the locker room's pre-match ritual every player steadies himself with his hands on Loach's shoulders; as the book puts it, everybody at E.T.A. has had his hands on Loach's shoulders at one time or another.
How he got the job — without ever finishing his Boston College degree — is one of E.T.A.'s best-loved legends, told by older students to younger ones. Loach grew up the youngest of an enormous devoutly Catholic family whose mother's dearest wish was a son in the clergy. The one brother who truly had the calling, a big-hearted Jesuit seminarian, abruptly lost his faith in human goodness a few years short of ordination — and if he quit, the obligation would fall on Barry, whose own calling had always been athletic training. So Barry made his brother a wager: he would prove that people are better than the brother now believed. The brother's terms were cruel. Barry had to make himself look homeless and stand outside Park Street Station, and instead of asking passersby for change, hold out his hand and ask them only to touch him. For nine months, nobody would — they tossed him coins with flinching, no-contact motions (he made better money than at his old work-study job), and Barry himself began sliding for real into street life. The Challenge ended when fourteen-year-old Mario Incandenza, sent out for subway tokens from one of his father's film shoots and too guileless to know the rules about panhandlers, took the request literally and heartily shook Loach's hand. Through a "convoluted but kind of heartwarming and faith-reaffirming series of circumstances," that handshake got Loach his E.T.A. job; he was Head Trainer within months, and he has treated Mario with something close to reverence ever since.
Appears with
Arc
The Loach saga is a working model of the novel's central transaction — the plea for real human contact, and the near-impossibility of getting anyone to make it — and the book files it, deliberately, as folklore: not narration but "the saga of Loach," handed down by Big Buddies to Little Buddies as an institutional catechism (1). Its setup is a vocational comedy with real stakes. The enormous Loach family exists, narratively, to be whittled: war, tainted grouper, Atlantic City, the Houston Philharmonic (1, 2), until the mother's clergy-dream balances on exactly two sons — the one with the genuine calling to God, and Barry, whose calling since his first Band-Aid on an X-Men figure has been to tape, wrap, brace, and rub liniment. The joke the arc then runs is that the two vocations turn out to be the same job. When the seminarian's faith in "the innate indwelling goodness of men" spontaneously combusts at twenty-five (3) — killed not by argument but by practicum, by actually serving Boston's ungrateful flocks — it is the trainer, mid-debate and theologically out of his depth, who fixes the hitch in his brother's card-toss: care for the flexor carpi ulnaris standing in for care of the soul.
The Challenge (4) literalizes the brother's despair into an experiment, and the experiment's cruelty is its precision: Barry asks for the one alm that costs nothing and means everything, and Boston pays him handsomely — bullwhip-flinch by bullwhip-flinch — to withdraw the request. The stretch where the data comes in is the arc's pivot in both directions at once. The brother, vindicated, gets bored and goes off to await his walking papers (and the story, pointedly, never resolves him — the man who commissioned the proof isn't around for the result). And Barry starts becoming his own experimental subject: Incompletes, the lost work-study job, warming drinks he's too disillusioned to refuse, his own soul sprouting the same "necrotic" patches he'd set out to disprove. The wager about human nature nearly costs him his own.
What saves him is the book's purest specimen of unstrategic goodness: Mario Incandenza, fourteen, routed to Park Street by a dumpster-fire, constitutionally incapable of the defensive reading every sane commuter applies — who takes "Touch me" to mean touch me, and shakes every outstretched hand in the gauntlet. The novel's grimmest grace-note is that even most of the stemmers recoil from the touch they'd been crying for; only the far-gone drunks, plus Loach, can accept the thing itself (5). The rescue is a hinge in two timelines at once — it is Mario's signature miracle as much as Loach's salvation (Mario's timeline (event 63)) — and its aftermath converts the experiment's failure into an institution: the handshake becomes a job (5), the job becomes Head Trainer within months, via a sauna accident the academy memorializes only in its retrofitted door-locks (6).
The E.T.A. present (7-9) is the wager won in perpetuity, hiding in plain sight as routine. The man nobody would touch now spends every match-day being touched: each player steadying himself with his hands on Loach's shoulders through the shave and wrap — "Everybody's had his hands on Loach's shoulders at one time or another" — a daily, unremarked laying-on of hands that quietly reverses Park Street. His caseload (8) is the ministry his mother wanted rendered in liniment and adhesive: knees injected, ankles taped, reflexes checked, bad news about broken children carried to Avril. He venerates Mario like a saint's relic, all but kissing the kid's ring (9). And the saga itself keeps working on people, in the book's two registers of use: as the lore that binds the academy's generations (1), and — in Orin's Strategy #4, the rented collar and breviary (10) — as one more persona in the repertoire of exactly the calculated, self-interested contact the brother said was all there is. The legend of the one guileless handshake ends up inspiring a seduction routine: the novel's whole argument about sincerity and its counterfeits, run through a single family's bet.
Timeline (10 events)
Key to the timeline
Events are ordered by when they happen in the story, not by where they fall in the book's pages.
★ marks a pivotal event — one that carries this character's arc. Unmarked events add texture around it.
Where an event says how it is known, that basis is one of: narrated (the narration states it), recalled (a character's own memory), reported (secondhand or testimony), claimed (asserted by someone with a stake), or disputed (conflicting versions). Conflicting details are quoted as the book has them rather than resolved.
Dating notes (apparatus)
- The Park Street Challenge and Mario rescue (4-5). The internal anchors: (a) the eldest brother's death "in the Brazilian O.N.A.N./U.N. joint action of Y.T.M.P." (= 2003, p. 0967) opens the backstory; (b) the rescue happened while Mario was "only fourteen" and JOI was still alive and filming (the God/Devil Tarot-poker shoot at the Back Bay co-op, p. 0971). JOI's suicide is 1 April Y.T.S.D.B. (2004) per the archive's canonical year-mapping, which would put the rescue — and the nine-month Challenge before it — in a ~YTMP-to-early- YTSDB window. But the archive's Mario timeline (event 63 and its Dating notes) flags the same beat as strained: under the Mario birth ruling, age fourteen lands ~YTSDB-YPW (2004-05), i.e. mostly after JOI's death, and the shoot's closest match in the n.24 filmography is a B.S.-dated film with a different stated subject — so the film cross-reference is loose and the age/era stamps pull against each other. Both derivations keep it UNDATED with the window as best-guess; as printed, crux owned jointly with the Mario timeline. The "ninth month" figure dates only the Challenge's internal duration, not the calendar.
- The brother's age vs. Barry's: the brother collapses "at age twenty-five" (p. 0968) with no stamp tying that to a Subsidized year; it fixes relative sequence only.
- The brother's fate is open. The novel is explicit that the wager's other party vanishes from the telling: "whither he fared and what happened with his vocation never gets resolved in the E.T.A. Loach-story" (183, p. 0970). Whether Mario's handshake won the bet, or reached the brother at all, is never stated. Recorded as open per the fate rule; as printed.
- Legend framing (1-6): scene 183 presents the entire backstory as "the E.T.A. Loach-story" told by Big Buddies to Little Buddies — academy lore, not omniscient narration. It is corroborated in outline only (scene 071: Mario "more or less got him his job"). Details internal to the legend are cited as written.
- The predecessor's sauna accident (6): undated beyond "just months" after Loach's hire; the resulting sauna safety-retrofit (no locks, 50 degrees C cap) is a standing E.T.A. condition in YDAU.
- Incidental attestations. Four Loach mentions sit outside the scenes cited above: scene 064 (5 Nov — Hal: "Loach calls it The Zone," covered under event 7), scene 065 (6 Nov — the musclebound kibitzing, covered under event 8), n.147 (8 Nov — Loach and Dunkel telling Avril of the Eschaton injuries, covered under event 8), and scene 167 (20 Nov ~0456h, the Stice-frozen-to-the-window crisis — Loach referenced only, asleep: Hal proposes a hot pack "from Loach's office or something" and Stice answers "Loach's door can't be dickied... Don't wake him up on Fundraiser day yet"). Also n.110's own sub-note (e): the then-skinny Eliot Kornspan "before Loach and Freer got hold of him" — Loach as weight-room sculptor. n.384's Ativan gloss is covered under event 3.