Scene 022: pemulis big buddy muscimole
Characters present
Connects to
Summary
Pemulis converts the pre-dinner Big Buddy powwow — institutionally a slot for "general big-brotherly-type support and counsel" — into a graduate pharmacology colloquium on muscimole, the organopsychedelic alkaloid of the fly-agaric mushroom, delivered from memory ("not reading or referring to notes in any way") complete with dosage, potency relative to psilocybin, and a catalog of favorable alterations in consciousness. The laptop-fed viewer displays METHOXYLATED BASES FOR PHENYLKYLAMINE MANIPULATION. The little kids sit Indian-style, glassy-eyed, squeezing tennis balls, rocking to stay alert, probing navels, pretending to fall over — comprehending nothing.
What to notice
The joke is run through the syntax before anything is stated: the opening sentence gives the alkaloid the main clause and stuffs the bored children into a dash-bounded aside — the grammar ranking the room's occupants exactly the way Pemulis does. And the clinical register is not the narrator's but his, worn slightly too big: "about like maybe" ten to twenty oral mg. is teenage hedging embedded in a dosage spec, free indirect style catching a kid impersonating a pharmacologist. Meanwhile the audience's collapse is itemized with the same taxonomic care as the drug's effects — one gesture of failing attention per child, a list to mirror his list.
Beats
- p. 66: Muscimole specs: Amanita muscaria derivative — emphatically not the kill-you-dead phalloides/verna species — 5-aminomethyl-3-isoxazolol, 10-20 oral mg., two-to-three-times psilocybin's potency.
- pp. 66-67: The Big Buddy frame named and immediately subverted ("Pemulis sometimes treats his group's powwows like a kind of colloquium, sharing personal findings and interests"); the screen's block capitals "might as well be Greek to the Little Buds."
- p. 67: Ethnographic flourish — the 'shroom "more or less revered by the aboriginal tribes of what's now southern Québec and the Great Concavity," loved and hated for effects "not always unless carefully titrated pleasant"; the kids' attention disintegrates (navel-probing, mock collapse).
Themes in this scene
- Addiction and Recovery: Pemulis's encyclopedic, loving command of psychoactive chemistry — expertise as devotion; the institutional mentoring channel repurposed as drug pedagogy for ten-year-olds.
- Communication and Solipsism: a lecture nobody receives; Pemulis "shares personal findings" entirely for himself while his audience yawns — the powwow as two sealed worlds in one room.
Connections
Backward
- Muscimole already appeared in scene 013's n.8.a: homemade Happy-Patch transdermals are "usually MDMA or Muscimole" — the colloquium's subject is live E.T.A. pharmacopoeia, not abstraction.
Forward
- Pemulis's titration erudition is the seed of the DMZ thread: the incredibly potent organopsychedelic (first flagged in scene 013's drug-taxonomy endnotes) that he sources in YDAU and that hangs over Hal's collapse — note DMZ too is mold/fungus-derived, looping back to baby Hal eating the basement mold (scene 002).
- The Big Buddy system itself is formally explained thirty-one pages later via Hal (scene 034, p. 98) — the book gives the parody before the institution.
- "Aboriginal tribes of what's now southern Québec and the Great Concavity": even Pemulis's drug-lore is Reconfiguration-inflected; Concavity geography saturates these scenes (016, 018, 030).
- Pemulis's careful distinction between the pleasant and the kill-you-dead Amanitas is his whole character: precision as survival — collapsed catastrophically when the DMZ/urine scheme unravels and he's expelled (n.211's expulsion-dread, cf. scene 018's paranoid-king poster).
- The glassy-eyed Little Buddies squeezing tennis balls per Academy mandate: the same mandated squeezing recurs in the locker room (p. 104, scene 034) — conditioning as background reflex at every age.
- The lectured "semi-sleep-like trance with visions" joins these scenes' dream/trance continuum (Troeltsch's fugue-state, scene 018; the nightmares of scenes 019/023) — Pemulis supplies the clinical register for states the surrounding scenes render from inside (continuum per Carlisle).
Notable passages
- p. 66: "by no means, Michael Pemulis emphasizes, to be confused with phalloides or verna or certain other kill-you-dead species" — the comedy of scrupulous psychedelic safety instruction to children.
- p. 67: "Pemulis sometimes treats his group's powwows like a kind of colloquium, sharing personal findings and interests." — deadpan institutional-voice irony; tag for how E.T.A. documents absorb misconduct.
- p. 67: "More or less revered by the aboriginal tribes of what's now southern Québec and the Great Concavity" — Reconfiguration casually rewriting even ethnobotany; "what's now" doing the geopolitical work.
What links here
- Pharmacology autodidact: the muscimole colloquium and the annulation lectures
- The Big Buddy System — Tavis's mentoring-and-surveillance structure
- Hal's tennis-court dream
- Hal's tennis-court dream (pp. 67–68)
- Hal's tennis-court dream — "I can make out in the…"
- Hal's tennis-court dream — "In this dream, which every now…"
- Hal's tennis-court dream — "when Bridget Boone, in whose room…"
- Hal’s tennis-court dream
- Orin airborne at Mile-High
- Orin aloft: "I'm paid to punt"
- Orin aloft: "spare the Leg"
- Orin flies at the Mile-High halftime show
- Orin flies at the Mile-High halftime show — "I punt! I’m paid to punt…"
- Orin flying at Mile-High
- Orin in cardinal wings over Mile High
- marijuana adopted as anesthetic against a dream
- marijuana adopted as anesthetic against a dream — "Low-grade synthetic Bob or not, the…"
- the counsel channel that transmits nothing
- the counsel channel that transmits nothing — "A boy probes at his own…"
- the counsel channel that transmits nothing — "the screen's got block-capitaled METHOXYLATED BASES…"
- the gargantuan-court dream: the court whose lines bound and define play
- the mentoring hour repurposed as drug pedagogy
- the mentoring hour repurposed as drug pedagogy — "This is supposed to be a…"
- the tennis-court dream
- the vicious circle starting at twelve