IJ study archive

Scene 093: hal teeth dream wyyy

Scene
93
Pages
449–450
When
Very late October YDAU (2009) (dateline 'VERY LATE OCTOBER Y.D.A.U.', p. 449), about an hour before dawn drills
Where
Hal and Mario's room, E.T.A. subdorm, pre-dawn; Mario's recent nights: the Headmaster's House living room, on an air mattress before the Tatsuoka receiverin: E.T.A. (Enfield Tennis Academy) › E.T.A. subdormitories · E.T.A. (Enfield Tennis Academy) › Headmaster's House (HmH) (also)
POV
Hal (3rd person, free-indirect), sliding into Mario's recent nights

Connects to (editorial cuts & payoffs, 9)

Summary

A short pre-dawn interstitial pairing the brothers' two distresses. Hal has a horrible new recurring dream in which his teeth turn to shale and splinter to grit as he chews — and everyone who sees the crumbling, including a dream-Schacht too busy to look, checks their watch and makes vague excuses, the rot plainly "a symptom of something way more dire and distasteful that no one wanted to confront him about"; he wakes pricing dentures, an hour before drills, Mario's iron bed empty and tight-made. Mario, the unagitatable, has been sleeping at HmH in front of Tavis's Tatsuoka, weirdly agitated by Madame Psychosis's unannounced sabbatical from WYYY's '60 Minutes +/−': the station is evasive, a 'Miss Diagnosis' fill-in lasted two days, and now the program runs unhelmed — her ambient static musics promoted from environment to subject. Hal offers Mario soothing media-logic (silence means she's coming back), but his own verdict on the voiceless broadcast is the scene's chilling last word: "like somebody's mind coming apart right before your ears."

What to notice

The interstitial's two halves are one image: a mouth crumbling to grit and a broadcast running "without any spoken voice as foreground" — both brothers' distresses are a medium losing its speech, and Hal's verdict on the second doubles as a diagnosis of the first. Notice what Hal does inside and at the edge of the nightmare: dream-Hal goes around still "squeezing a ball" while his teeth splinter, and waking Hal was "pricing dentures" — the reflexes of performance and quiet management running straight through catastrophe, which is exactly how he handles the waking rot too. Even the set-dressing testifies: keys and College Board prep books on the floor, an hour to drills — the whole apparatus of seeming fine arranged around the bed.

Beats — page-by-page

  • p. 449: dateline VERY LATE OCTOBER Y.D.A.U.
  • p. 450: the recurring dream — teeth "like shale," splintering and melting to grit; the nightmare-Schacht "late for his next appointment"; the universal seeing-and-not-saying, watches and vague excuses; "He was pricing dentures when he woke"; keys on the floor by the College Board prep books; an hour to dawn drills.
  • p. 450: Mario's empty bed, five pillows stacked — nights at HmH on a sarcophagally tapered GoreTex bag before Tavis's Tatsuoka, listening to WYYY-109; Madame Psychosis's unannounced sabbatical from the midnight slot; WYYY "evasive and unforthcoming"; the two-day 'Miss Diagnosis' experiment (Horkheimer and Adorno against narcotized Partridge Family); no one of "managerial pitch or timbre" will say what her story is; Hal's comfort-logic — if she'd left for good they'd have had to announce it; Hal, Schtitt, and the Moms all remark the agitation of a kid who is "usually next to impossible to agitate" (n.180: Avril has Thorp sneak Mario into the freezing pink YYY basement, where the carbuncular engineer answers only by pointing at her tripartite onionskin screen folded beneath a handless wall-clock — no hiatus can be that long if she left her trusty screen; Mario hadn't known M.P. used a screen on-air; "That's when he'd gotten agitated").
  • p. 450: now 'Sixty Minutes More or Less' runs with nobody at the helm — the weird static ambient musics as foreground instead of environment, "momentumless music as subject" terribly disturbing; Hal listens a few minutes and tells his brother "it sounded like somebody's mind coming apart right before your ears."

Themes in this scene

  • Communication and Solipsism: the dream's circle of people who all see the rot and won't name it; the unhelmed broadcast — medium without voice — as audible solipsism; Hal supplying interpretations designed to soothe rather than inform.
  • Film and Optics: Madame Psychosis's radio absence drives the beat; the n.180 revelation that she screened herself even from a blind medium — concealment as her deepest habit — read by Mario, the book's purest optical instrument.
  • Family and Hamlet: the brothers' room with its one empty bed; Mario keeping vigil in the paternal house's living room; the adults (Schtitt, the Moms) who merely "remark" the distress — and Avril's screened, indirect intervention via Thorp (n.180).
  • Addiction and Recovery: the teeth dream as Hal's secret-rot anxiety — decay everyone can see, no one will confront, and Hal himself can only price prosthetics for; the oral rot literalizes the hidden marijuana habit and its incipient carie.
  • Dreams: the second of Hal's recurring nightmares — teeth "like shale" splintering to grit while everyone who sees checks their watch and won't name it, the rot "a symptom of something way more dire and distasteful that no one wanted to confront him about" (p. 450); he wakes pricing dentures, and the dream opens the teeth-system that returns in Joelle's dentist dream (scene 146) and in Hal's own retelling of this dream to Mario ("I dreamed I was losing my teeth… pricing dentures," p. 769, scene 155).

Connections — backward & forward

Backward

  • Why she's gone (dramatic irony Mario never gets): Joelle's freebase suicide attempt at Molly Notkin's party (pp. 227-240, scene 062) and subsequent detox; she enters Ennet House 8 Nov YDAU per n.134 — the beloved voice is about to surface in Gately's world, three scenes after Gately's own (090/092).
  • "Somebody's mind coming apart right before your ears" is proleptic self-description: Hal's November unraveling and the Year of Glad opening, where his intact inner voice emerges as inhuman noise (pp. 3-17, scenes 001/003).

Forward

  • Mario's nightly ritual with the show — and his conviction that she can't sense "the compelling beauty and light she projects over the air" (p. 191) — established at pp. 189-193; later his insomniac walk is arrested by Ennet House actually playing a recording of the show from an upper window (p. 592; scene 117, pp. 589-593).
  • The on-air screen (n.180) joins Joelle's U.H.I.D. veil and the legend of the P.G.O.A.T. (pp. 531-538, scene 104; n.24's Medusa-v.-Odalisque optics) — concealment doubled past function; it also rhymes with the U.H.I.D. legate's earlier offer of veiled membership to Mario himself (scene 071, pp. 316-317).
  • The teeth thread: the incipient carie amid the gala sweets (p. 410, scene 087) and the bad tooth's "little electric shivers" at the next morning's drills (pp. 452-459, scene 094 territory) — the dream sits between cause and symptom; the seeing-but-not-confronting dream-logic prefigures the staff's actual non-confrontation of Hal's habit until the urine crisis (Pemulis thread; nn. 321/324/332).

Notable passages (3)

  • p. 450: "his teeth had become like shale and splintered when he tried to chew" — the dream image; bodily decay as open secret.
  • p. 450: "a general atmosphere of the splintering teeth being a symptom of something way more dire and distasteful that no one wanted to confront him about" — the scene's thesis; Hal's condition in miniature.
  • p. 450: "it sounded like somebody's mind coming apart right before your ears" — Hal's verdict on the unhelmed static; proleptic of his own Year of Glad interior.

What links here Timeline events here (5) · Connected from (4) · Passages quoted here (16) · Motifs (2)

Timeline events here

Connected from

Passages quoted here

Motifs