Supper at the E.T.A. dining hall (pp. 636–637)
Stice doesn’t use a finger to move the tomato and check this. He’s using only his concentrated will. He’s trying to will the cherry tomato to roll of its own objectile power down the incline and into the bowl’s center. […] He’s trying to flex some kind of psychic muscle he’s not sure he even has. […] His cheeks are ballooned with food as he stares at the perched cherry tomato, trying to respect this object with all his might. Summoning the sort of coercive reverence he’d felt this P.M. as several balls’ sudden anomalous swerves against wind and their own vectors half convinced Stice they’d become sensitive to his inner will, at crucial times. He’d mishit one cross-court volley and seen the thing head for an area wide even of the doubles sideline and then curve like a drenched spitter back to land just inside the singles corner, and this at a time when the grounds’ pines behind Hal Incandenza were breeze-leaning in the exact opposite direction. Hal had given Stice a little bit of a look on that one. Stice couldn’t finally tell whether Hal noticed anything amiss in the mysterious curves and downdrafts that seemed to favor The Darkness alone
Context
Stice versus the cherry tomato: after an afternoon of balls bending fair against wind and vector, he concludes the power might be his — "some kind of psychic muscle he's not sure he even has." The theme's cruelest misreading: wraith-assistance experienced as telekinesis, dread converted into hope. The "drenched spitter" volley curving against opposite-leaning pines is the same physics the bleachers watch first-hand at p. 679. (Carlisle, writing in 2007, gets exactly as far as asking whether the swerves connect to the moving objects — he never names the wraith.)