The cuts were modest and scope-preserving; the "300–500 pages cut" story is a myth — the bigger fact is what was *added* after 1993
Where readers stand
consensus
scope-preserving cuts: consensus in the witness tier, while the big-cut myth remains majority in mainstream reception — a popularity/authority inversion worth preserving.
In plain terms: the cuts to the manuscript were modest and scope-preserving -- the "300 to 500 pages cut" story is a myth -- and the bigger fact is how much was added after 1993.
Where the text lands: this is a question about how the book was made, not what the finished text says, so the text-support scale does not apply; on the documentary record it is strongly supported. Among readers: a telling inversion -- scope-preserving cuts are agreed among the people who actually saw the manuscript, while the big-cut myth remains the majority belief in mainstream reception.
The draft witness puts the cuts near 40 pages against 200-plus pages added in 1994-95, and the editor's actual December 1994 letter -- now in the archive -- shows a maximum ask of 46 per-scene questions, most of which Wallace refused. The legend's biggest number turns out to be Wallace's own: on the 1996 tour tapes he put the book at about five hundred pages longer, four hundred of which needed to go -- the very figure his editor later called a great exaggeration -- so the myth reads as author-seeded tour talk, most plausibly counting manuscript pages rather than book pages. Drawn from the composition tested reading.
The question
This reading answers the crux the scale and content of the cuts (and the 300–500-pages myth).
The ruling
Weighed in the adversarial ledger The Book's Composition.
Sources
- 1458 words on a book that has more than 1000 pages (SPEAK magazine interview with David Foster Wallace)
- Bookworm: David Foster Wallace on A Supposedly Fun Thing I'll Never Do Again — KCRW (May 15, 1997)
- DFW on Whad'Ya Know? with Michael Feldman — PRI, Madison WI (April 5, 1997)
- DFW with Christopher Lydon — The Connection, WBUR Boston (February 21, 1996; the rediscovered 'lost' interview)
- Michael Pietsch: Editing Infinite Jest (Infinite Summer guest essay)
- Three items about what didn't make it into Infinite Jest