Supper at the E.T.A. dining hall — "But it’s true. The Husky VI…"
But it’s true. The Husky VI tripod of Mario’s near-fatal encounter with the U.S.S. Millicent Kent was only the beginning. Starting with the mysterious and continuing fall of acoustic ceiling-tiles from their places in the subdorms’ drop ceilings, inanimate objects have either been moved into or just out of nowhere appearing in wildly inappropriate places around E.T.A. for the past couple months in a steadily accelerating and troubling cycle. […] The inappropriate found objects have had a tektitic and sinister aspect: none of the cheery odor of regular pranksterism; they’re not funny. To varying degrees they’ve given everyone the fantods.
Context
The narrator steps out from behind Troeltsch's tuition-rant paranoia to confirm it: the object-displacements are real, accelerating, and wrong in a way pranks aren't — "tektitic," meteorite-glass, fallen from somewhere else entirely. This is the thesis line of the whole poltergeist arc, two hundred pages before Gately meets the source.