IJ study archive

Mario's ONANtiad at the I.-Day gala (p. 381)

quote

It’s pretty obvious that somebody else in the Incandenza family had at least an amanuentic hand in the screenplay, but Mario did the choreography and most of the puppet-work personally—his little S-shaped arms and falcate digits are perfect for the forward curve from body to snout of a standard big-headed political puppet—and it was, without question, Mario’s little square Hush Puppy on the H64’s operant foot-treadle, the Bolex itself mounted on one of the tunnel’s locked lab’s Husky-VI TL tripods across the overlit closet, mops and dull-gray janitorial buckets carefully moved out past the frame’s borders on either side of the little velvet stage.

Context

The production-credits paragraph: JOI's tunnel-lab equipment (a Husky-VI tripod, kin of scene 037's mystery tripod) still in service under the son's Bolex, and the deformity that disqualifies Mario from tennis turning out to be exactly right for puppet-work. The un-named family amanuensis on the screenplay is the film's own paternity question.

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