Lyle's weight-room supplicants (pp. 389–390)
After the first photograph has been in a magazine, the famous men do not enjoy their photographs in magazines so much as they fear that their photographs will cease to appear in magazines. They are trapped, just as you are.
Context
Lyle's diagnosis makes fame a cage with no door, the mirror-image of the Entertainment's cage. The wanting-to-be-watched, he tells Chu, feeds on "food that does not exist" — envy has no reciprocal, the famous don't enjoy being envied, and after the first hit of image-surge they only fear its withdrawal. "Fame is not the exit from any cage." It's the same structure Joelle names on her last walk (the exit that is really the bars): the pursuit of pleasure-in-being-seen closes into a trap the moment it's attained, because the surge never repeats and the fear of losing it never stops. Whether you burn to consume images or to become one, you end up "trapped, just as you are" — the appetite delivers you to a cell and calls it arrival.