IJ study archive

Orin under the tumbler (pp. 971–972)

quote

His foot really was hurt, and the remains of whatever had made him fall asleep so hard really were making him sick to his stomach, and in sum this experience was pretty clearly not one of his bad dreams, but Orin, #71, was in deep denial about its not being a dream. It was like the minute he’d come to and found himself inside a huge inverted tumbler he’d opted to figure: dream. The stilted amplified voice that came periodically through the small screen or vent above him, demanding to know Where Is The Master Buried, was surreal and bizarre and inexplicable enough to Orin to make him grateful: it was the sort of surreal disorienting nightmarish incomprehensible but vehement demand that often gets made in really bad dreams. Plus the bizarre anxiety of not being able to get the adoring Subject to acknowledge anything he said through the glass. When the speaker’s screen slid back, Orin looked away from the glass’s faces and up, figuring that they were going to do something even more surreal and vehement that would really nail down the undeniable dream-status of the whole experience.

Context

Orin's last appearance in the book: waking inside the A.F.R.'s roach tumbler, he "opted to figure: dream" — the dream-frame as denial mechanism, each new surreality welcomed as further proof of "the undeniable dream-status of the whole experience." The coda to the dream serial that opened his story (012): a man whose mornings were governed by real nightmares ends by misfiling reality as one. Carlisle's chapter-rhyme (recorded, not adopted): like Gately and Hal in this stretch, Orin can't tell dreaming from waking, and the cage-and-ocean imagery he wakes into is borrowed from Gately's dreams.

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