IJ study archive

Gately, the wraith, and the figurants (pp. 830–831)

quote

But now not even moos or mews would come, all he could seem to do was pant real hard, as if the air was like totally missing his vocal box, or like his vocal box was totally demapped from nerve-damage in his shoulder and now just sort of hung there all withered and dry like an old hornet nest while air rushed out Gately’s throat all around it. His throat still didn’t feel right. It was exactly the suffocated speechlessness in dreams, nightmares, Gately realized. This was both terrifying and reassuring, somehow. Evidence for the dream-element and so on and so forth.

Context

Gately's real, injury-enforced muteness matches the classic dream-speechlessness so exactly that it becomes his evidence the wraith is dreamt — "terrifying and reassuring" in one breath. Carried (where 161's waking "like speechlessness in bad dreams" simile was excluded) because here the comparison operates inside the dream, doing dream-logic work: the nightmare convention used as a reality test.

In anthology