Endnote 61 — The "Cinema of Chaotic Stasis"

Defines an avant-garde digital film school also called Digital Parallelism or the "Cinema of Chaotic Stasis" (p. 996), marked by a deliberate refusal of separate narrative lines to converge; its practitioners include Beth B., the Snow brothers, Vigdis Simpson, and the middle-period work of J. O. Incandenza.