Schtitt & Mario's walk: the man who knows his limitations
had replaced it with the rather more upbeat THE MAN WHO KNOWS HIS LIMITATIONS HAS NONE.
Context
Tavis swaps Incandenza's grim founding motto for "THE MAN WHO KNOWS HIS LIMITATIONS HAS NONE" — the locker-room aphorism as institutional self-description, and the scene's whole limit-doctrine compressed into wall-signage. The motto tradition (Wimbledon's tympana on down) is the academy declaring its philosophy of the body in a phrase; here the phrase is exactly Schtitt's theme, that the limits are the point, hung upbeat over the lockers where the bodies dress to go meet them.