Endnote 242: Mario on Schtitt's transom
This is one reason why he consents to be hung way out into space from Schtitt’s transom for filming all-court play, held only by some prorector with a firm grip on the back of his lock’s vest, which the players looking up at Mario’s forward ski-jump posture off the crow’s nest find incredibly terrifying and audacious and ballsy, and Avril won’t even leave HmH during all-court filmings.
Context
Whole note quoted: the camera position as physical daring — Mario hung out over the courts by a prorector's grip on his lock's vest, the lens-bearing body itself suspended to get the shot, read by the players below as ski-jump audacity. The rig behind 125's crow's-nest sighting (roster); the R.A.S.U. hardware that goes with the same apparatus is n265's. Avril's refusal to leave HmH during all-court filmings is the family-optics counterweight: one parent's whole apparatus aimed at seeing, the other unable to watch.