JOI's filmography — "E. Duquette, ‘Beholden to Vision: Optics…"
E. Duquette, ‘Beholden to Vision: Optics and Desire in Four Après Garde Films,’ Cartridge Quarterly East, vol. 4 no. 2, Y.W.-Q.M.D., pp. 35–39. […] Anonymous, ‘Seeing v. Believing,’ Cartridge Quarterly East, vol. 4 no. 4, Y.W.-Q.M.D., pp. 93–95.
Context
The filmography's scholarly apparatus files JOI exactly where this theme does: the critical literature's own titles are "Optics and Desire," "Seeing v. Believing," and (footnote a) "The Laughing Pathologists: Exemplary Works of the Anticonfluential Après Garde." The academy already reads the career as an optics problem; the endnote's citations are the book citing its invented criticism of its invented films.