Joelle's Too Much Fun at Molly Notkin's party (pp. 231–233)

‘—thing opens tight on Remington in a hideous grandfatherly flannel suit, b & w, straight full-frontal shot in this grainy b & w stuff Bouvier taught him to manipulate the f-stop to mimic that horrid old Super 8, straight full-frontal, staring past the camera, no attempt to disguise he’s reading off a prompter, monotone and all […] at which point he aims his thumb and finger at his own temple at which point his TA doubles the focal-length so there’s this giant—’ […] ‘Who shot The Incision? Who did the cinematography on The Incision?’