Molly Notkin's party: Joelle's overdose (Depression and Anhedonia)
a hangover that makes a freebase hangover look like a day at the emotional beach, the difference between suicide and homicide consisting perhaps only in where you think you discern the cage’s door: Would she kill somebody else to get out of the cage? Was the allegedly fatally entertaining and scopophiliac thing Jim alleges he made out of her unveiled face here at the start of Y.T.S.D.B. a cage or really a door?
Context
The cage-logic run out to its fork: suicide and homicide differ only in where you locate the door — and the question then turns on the Entertainment itself, cage or door, binding the theme to the samizdat: lethal viewing as somebody else's exit.