IJ study archive

Pages 376–379

8 November — Interdependence Day: Eschaton · first-time reader guide · all scenes

When you've finished these pages: three things worth a second look, at the bottom.

Still the Provident cafeteria, still Interdependence Day evening: the White Flag meeting's last speaker, a round, pink, lashless newcomer up from South Boston, r-less brogue and ruined teeth. Plain heads-up, folded in here because you should have it before you start: her story is a stillbirth — freebasing through pregnancy and labor, a dead infant carried in Denial through the August streets — told at the podium without a single softening move. It is the hardest testimony in the book so far, and the scene's business is what her telling of it does to the room.

Terms, in order of appearance

  • Eightball (p. 376) — real drug-weight slang: an eighth-ounce of cocaine.
  • 'base (p. 376) — freebase cocaine, smoked; the same preparation as pp. 234–40.
  • arachnodactylic / mucronate (p. 376) — real anatomy Latin: spider-fingered; tapering to a sharp point.
  • Woolworth's (p. 377) — real five-and-dime chain; where the pink blanket came from, at month seven.
  • D.S.S. (p. 377) — Massachusetts's real child-welfare agency, the Department of Social Services; watch the hall's mothers cross themselves at the acronym.
  • L Street Beach (p. 378) — real South Boston shorefront, by the Projects.
  • Metropolitan State (p. 378) — real (now-closed) state psychiatric hospital in Waltham; four months on a locked ward.
  • D&C (p. 378) — real medicine: dilation and curettage.
  • S.S.I. (p. 378) — real: Supplemental Security Income, the federal disability check.
After you read: three things

1. She is the answer to the speaker before her. The scene opens on the hinge the last one failed: Cause, no; responsibility, yes — "it all depends on which way the arrow of presumed responsibility points" (pp. 375–76). Her material is worse than the stripper's, and pitched with the arrow turned inward — her son "poisoned before it could grow a face or make any personal choices" (p. 376). Same room, opposite result: instead of heads clutched in discomfort, a hall that has "to consciously try to remember even to blink" (p. 378).

2. The middle stretch is Denial given a body. The blanket, the intact cord, the months of streets: the capitalized Denial the meeting's essay kept invoking is here run at full physical scale, and the narration keeps its own eyes open the whole way — down to the coffin "the size of a Mary Kay makeup case" (p. 378). The length is the point; the mechanism takes exactly that long to fail.

3. Watch the listeners as much as the podium. Joelle's veil billows in and out with her breathing (p. 376); Ewell and Gompert — the meeting's worst cynics — look "not just at the speaker's face but into it" (p. 378); and Gately's closing thought is the scene's benediction: she's up there "trying to tell a truth she hopes someday to swallow, inside. So she can just try and live" (p. 378), in a game "none of them signed up for."


Written only from this scene and earlier pages. Safe to read before you start.