Inarticulacy — the gap between doing, saying, and being
echoes
From: How Tracy Austin Broke My Heart
- Early text: "Great athletes usually turn out to be stunningly
inarticulate about just those qualities and experiences that constitute
their fascination"; the memoirs cannot deliver "personal and verbal access
to an intrinsically public and performative kind of genius"; the dead-memoir
verdict — "it communicates no real feeling and so gives us no sense of a
conscious person. There’s nobody at the other end of the line."; and the
closing paradox that the genius "must, perforce, be blind and dumb about
it—and not because blindness and dumbness are the price of the gift, but
because they are its essence." [e-text]
- IJ echo: IJ's preoccupation with the untranslatability of interior
experience — the gap between what can be done/felt and what can be said
(Hal's final unspeakability; the novel's recurring failure of one
consciousness to reach another — "nobody at the other end of the line" is
practically an IJ telephony image). The essay locates the same gap in
athletic genius: the doer cannot say, and the sayer cannot do. Hal,
uniquely, is both the prodigy and the hyper-verbal consciousness — the
collision the essay only theorizes, IJ embodies.
- Weight: prefiguration